#feel free to ask about the characters or the story they're in! there's lots of lore to share

[tourettesdog]

Beta Reading and Fanfiction

I’ve been writing for a long time myself, but it’s only been very recently that I’ve immersed myself in communities online for it. I’ve been having so much fun really diving into Danny Phantom and DPxDC fanfic, and I’ve met so many great friends doing so.

I mostly do my own writing, but I’ve really enjoyed doing some beta reading as well, especially for friends! There’s something so fun about getting to dive into a work in progress and help where you can.

But I do feel like some people might really struggle to understand how to beta read, or what makes a good beta reader— especially where fanfiction is concerned. I’ve been extremely fortunate to have wonderful beta readers, but I’ve had some friends frustrated with the beta reading they’ve in turn received, or otherwise feeling uncomfortable in asking for a beta reader since they don’t know what to expect.

So, how should beta reading work? How do you do a good job?

Above all, the most important thing about beta reading is communication with your author. You are not in their WIP to prove how good of a writer you are, or to hammer their work into what you would personally be proud to present online. You are there to help, in whatever way the author has asked or communicated they're comfortable with.

Before you beta read anything it is vital to ask what the author is looking for in a beta reader. There are a number of things you can ask in particular, including:

What are you looking for help with?

Do you just want me to look for typos or confusing sentences?

Do you want suggestions for things to add?

Do you want suggestions on grammar, or other more in-depth writing suggestions?

Do you need help with characterization, or even the plot?

Depending on who you are beta reading for, you might have someone who only wants a very light beta touch. They might just want you to look for glaring mistakes, or for confirmation that a plot beat makes sense. 

Other authors might want something much more involved! They might be trying to improve their grammar, or perhaps they're not very familiar with writing a new character and they would like suggestions for how to better capture their voice.

Regardless of what an author wants in a beta reader, you won't know unless you ask them! It's possible that you simply might not be compatible as beta reader and author, depending on their answer, and there's nothing wrong with that. It's okay to step back and say "I personally like to beta read things more in depth than this, so I might not be the best person to give it a look."

Otherwise, getting an answer about your author's preferences can help you figure out how to help them. Perhaps you would normally make more suggestions, but if an author has specified that they're not comfortable with that, then it's not your job as their beta reader to do so. If you are capable of sticking to the help they've asked for, then you will ultimately be fulfilling your role as their beta reader admirably.

"But I'm just trying to help. Their work has a lot of places it could improve!"

Again, beta reading is not about shaping a story into something you would personally present as your writing. It is about helping the author produce a story they're comfortable with and proud of.

It's not about being right, or heavily criticizing their writing and grammar abilities (unless this is what the author has explicitly requested!)

Especially while writing fanfiction, the work presented is not something that will ever see publishing, or that needs to have flawless grammar and syntax. This is work done for free, and it is done for fun.

And that's something very vital to beta reading—

A beta reader needs to preserve the fun.

It's very daunting, putting your work out there for others. It's especially daunting putting your work up for analysis of any kind. You're accepting that people might not understand your vision, or may judge you for what you've written.

It's all too easy to compare yourself to other creatives online, and to overthink and overanalyze your talents. Too often, it’s easy to get discouraged and feel like your work isn’t good enough.

Beta reading should never be done in a way that will discourage writing. Even if an author has asked for a lot of help, it’s important to pick your battles with what you choose to analyze, and to check in with them if you feel like you might be crossing boundaries or covering their work in too much metaphorical red ink.

When people are trying to improve their writing, you don’t always have to mark every little suggestion you think of. Unless the author is a friend you know well, or has explicitly asked for Extreme measures of help, it might be best to ignore some smaller writing issues and focus instead on bigger things. 

If you’ve already marked a lot of issues in one paragraph, but have more things you could say, consider if the additional suggestions are vital or if it might be better to leave them be. After all, if your author is looking to improve, and if you are planning to beta read for them again in the future, then helping them with more glaring issues now will help them in a way that is not overwhelming, and will open the door for other kinds of suggestions to be better understood and absorbed. 

You can always check in with your author if you’re unsure, too. Ask them if they appreciate the amount of suggestions you’ve given them, or if it’s been too much. Your author might be uncomfortable with telling you that they’re overwhelmed, and checking in is a good way to ensure that you’re both on the same page.

All that being said, though, it is also important to not always focus on things to fix and improve. You’re not just editing the story, you’re reading it. Part of keeping beta reading fun is engaging in that story as any reader would. It both helps morale, and helps let the author know what they’re doing right, when you take the time to tell them what you enjoy about the work you’re beta reading!

There are so many ways you can express positive things about an author’s writing. Consider:

“I love how you phrased this sentence here.”

“This body language feels natural and very in character!”

“I love this word choice here.”

“This part was really funny and had me laughing.”

“I’m excited to see where this goes!”

You’re reading a story, and you must have thoughts and feelings on it outside of suggestions. Let your author know! People thrive on positive feedback, and there’s just as much to be gained in marking Positive attributes to a story as there is in noting places to improve.

The last major thing I feel is vital to beta reading is respecting that it is your author’s work, and that your suggestions (however clever or helpful you feel they are) may be rejected. And that that is okay. 

Suggestions are just that— suggestions.

What you might like in creative writing might not necessarily be what your author wants to express. You might love to use ellipses, or lots of different dialogue tags, while your author might prefer dashes and more standard dialogue tags. You might like to use more colorful descriptions of scenery and atmosphere, while your author might want to focus much more on the character body language and dialogue. You might like to use a lot of exclamation points and next to no italics, while your author might like a lot of italics and very little exclamation points. 

You’re ultimately two different people, with two different ideas of what is an ideal way to tell a story. And while you can give many different suggestions on just about anything the author might add, remove, or change, it’s ultimately the author’s choice whether or not they accept those changes.

It’s not your job as a beta reader to double down and insist that they accept a specific suggestion. It’s not your job to make a case for why you think they need to change something. If an author has denied a suggestion— it’s best to let it go. Especially if you don’t know them well, and don’t have a very good rapport with them, pushing the issue will only serve to make you both uncomfortable.

It’s not just about picking your battles, but also about mutual respect. You’re not a teacher, nor an editor looking to make their work prime for publishing. You have to respect their decisions for their own story, even if that means they decide not to take a suggestion you felt would be impactful. 

It’s also always important to keep in mind that writing style, particularly where creative writing is concerned, can vary wildly. The strict rules that you learn in school were made to be broken. You learn them to figure out how to break them and, particularly when writing for fun, it doesn’t even matter if you’re breaking those rules in a perfect way. It’s fanfiction. It’s freeform, it’s fun. If someone wants to make a habit out of going buckwild with their writing style, there’s really no reason to try and corral their writing into a box labeled “High School English 101”. 

You can’t force someone to write their fanfiction like it’s going to go to a letter grade, nor should you try to unless they’re looking for that level of editing. 

Be willing to listen, and pay attention to what is and isn’t working. It’s good to take note of suggestions that your author has already commented on. Have they thanked you for pointing out something in particular? Have they expressed they feel weak with something in their writing?

Is there a type of suggestion that you keep making that they have rejected multiple times?

Work with their strengths and with their style. Focus on suggestions that have been received well, and consider letting go of ones that the author clearly has no interest in, or that might conflict with their style.

Communicate and respect each other, above all else.

Beta reading is such a helpful and wonderful thing someone can do for an author. I’ve been so thankful to have it done for my own work, and I try my best to be helpful and considerate when I’ve beta read myself. 

Having my work beta read has really helped me find things to improve upon in my writing, and has helped me feel more confident in the stories I’ve posted, just having another eye look over them before they hit the internet. I don’t always take all of their suggestions, and might disagree from time to time with the direction they want something to go in, but I’ve been thankful to have understanding, kind betas that work with me well. 

And that’s one more point I want to touch on too, is that I hope that, as a beta reader, you find yourself with authors that show you mutual respect in turn. That they thank you for the work you’ve put in to help them succeed, and have made the experience positive for you as well.

It always makes me happy to see beta readers credited on posted works. It’s a kind thing for writers to show appreciation, and to acknowledge that someone helped shape the words you see on the page. 

This got much longer than I intended it to, but I just hope that this post might help some people in some way. Either to understand beta reading and the purpose of it, or how to potentially go about it themselves. 

I really recommend giving beta reading a try if you’re comfortable with it, especially if you have friends that write fanfiction! Even just an extra pair of eyes looking for typos can be a godsend for someone who has spent hours upon hours staring at a long fic and editing it.

[babyseraphim]

1910's music: Edwin Payne style

Hi ya’ll! Friendly music teacher/opera singer here to answer a question that pretty much no one has asked (except me): what music would Edwin have listened to/enjoyed when he was alive?

I’ve separated this into three different genres (classical, jazz, and pop), so the entire thing is pretty long. I've also tried to give references for any additional information provided, but most of it is coming straight from my brain after years of music history classes, so feel free to correct me if I get anything wrong.

Classical Music

So, the first thing to know about me is that I’m a big pianist!Edwin truther, and I'm going to be talking about it a lot in this post. It was extremely common for families (especially wealthy families) to have their children train in some sort of instrument from an early age back then, so learning music was something that Edwin likely would have been forced to do.

There are some classical pieces that I have already heard mention of amongst the fandom, so I will stick them in the 'honorable mentions' section, but I want to feature some music that I haven't seen mentioned in conjunction with Edwin's character yet. 1. Erik Satie's Trios Gnosiennes (1893)

So, I've always associated the first three Gnosiennes with Edwin not only because they're so hauntingly beautiful, but also because they're rhythmically very different than a lot of other classical music of his time. The Gnosiennes are largely played in 'free time' (with no time signatures or bar lines), which is a bit unusual for the genre (though modern classical music has a lot more of it). Satie's music really pulled away from a lot of musical customs, spurning traditional forms and tonal structures in favor of more creative options, and I think Edwin would have really enjoyed it.

Edwin's possible interest in breaking musical customs will come back a lot throughout this post, but given that he is often characterized as going against the social grain (whether he was trying to or not), I think he really would have enjoyed Satie's works as a whole. However, Trios Gnosiennes just really speak to me for his character.

2. Igor Stravinsky's The Rite of Spring (premiered in 1913)

The Rite of Spring was a Russian ballet that Stravinsky was commissioned to write for the Ballet Russes company. The work was known for its dissonance and barbarity, and the dancing was described as 'jerky' and 'hedonistic'.

Now, do I think that Edwin would have particularly enjoyed the sound of the the Rite of Spring? Maybe not, but I imagine he likely would have respected its departure from the musical decorum of his time (the piece later went on to be considered one of the the earliest examples of modernism in music). The first public showing of The Rite of Spring caused the theater to break out into a riot partially due to the fact that they thought the music/dancing was a work of blasphemy, and I just think Edwin would have found that hilarious.

3. Gaetano Donizetti's Lucia di Lammermoor (1835), particularly Spargi d'amaro pianto (the famous 'mad scene' aria)

I don't think Edwin would have been a fan of opera as a whole, but I do think that this work's entertaining twists, literary origins, and technically challenging composition might have caught his eye (I even went so far as to sing through this aria a few nights ago because I was curious, and yeah, its really fucking hard).

Lucia di Lammermoor is a tragic opera based on the 1819 novel The Bride of Lammermoor by Walter Scott, which was based on the real life story of a woman named Janet Dalrymple. Lucia was performed at the Met nearly every season from 1903-1972, and I imagine that if it was doing well in America, it must have been doing numbers in Europe.

Honorable Mentions - Claude Debussy's Clair de Lune and Deux Arabesques - Frédéric Chopin's Noctures (particularly Op. 9, No. 1) and Études (particularly Op. 25, No. 11) - Erik Satie's Trios Gymonepdies

Jazz Music

So, this is where my pianist!Edwin headcanon starts to diverge from the pretty much all of the other music-related headcanons I've seen.

Technically speaking, 'jazz' as we know it didn't really exist when Edwin was alive; he died literally one the cusp of the the Golden Age of Jazz, which is a huge fucking bummer. Jass (as it would've have been referred to in the 1910's) mostly consisted of ragtime and early blues, and was considered to be a 'fringe' style of music (pretty much entirely due to racism). As far as acceptability went, being a teenager with a love for 'jass' in the 1910's would have been the social equivalent of being a teenager with a love for ska or punk music in the 80's (the parallels!!!)

I think its pretty well argued within the fandom that Edwin is a bit rebellious when it come to authority and societal standards, and even though I think he was probably less of a little shit while he was alive, there's no way he was just totally fine with living inside the lines. I posit that, as a rebellion, he would have spurned classical music and became a ragtime pianist (which was one of the main precursors to jazz as we know it today). I actually wrote a fic about this way back when I first joined the fandom, for anyone who's interested!

1. Scott Joplin's Sugar Cane Rag (1908), Fig Leaf Rag (1908), and Paragon Rag (1909)

Scott Joplin (the King of Ragtime) was the most famous ragtime pianist of all time, and one of the driving forces behind creating the jazz genre as we know it. I guarantee that you guys have heard his most famous song, The Entertainer, at least once, and have probably heard his Maple Leaf Rag as well. If Edwin was into ragtime, then its a sure thing that he would have been a big fan of Scott Joplin's rags. I picked the three that I thought suited him best.

2. James Scott's Frog Legs Rag (1906) and Sunburst Rag (1909)

James Scott was also a famous American ragtime composer, and both of the listed songs would have been released when Edwin was pretty young. He probably wouldn't have been old enough to play them for a few years, depending on his training, but thinking of a little 12 year old Edwin learning to play these (as well as Scott Joplin's rags) in his free time just fucking tickles me. I love it so much.

3. Davy Peyton and Spencer Williams' I Ain't Got Nobody, recorded by Marion Harris in 1916

I Ain't Got Nobody was an early jazz standard from 1915 that eventually developed into a multi-genre standard (meaning that it was considered a standard for multiple genres, ranging from jazz to pop to country). I don't have a lot of reasoning for this one other that I think that Edwin would have just really liked Marion Harris' voice.

Honorable Mentions - Euday L. Bowman's Twelfth Street Rag (aka the Spongebob song) - Artie Matthews' Weary Blues

Pop Music

So, a disclaimer here. My music degree required me to take jazz and classical music history classes, which did not cover pop music of the 1910's, so I have fewer historical insights to offer about this genre. However, whenever I think about these songs, I always picture Edwin listening to them through a phonograph while doing homework on his bed, like a teenage girl listening to Sabrina Carpenter or Chappell Roan while studying (I know that's silly, but I think its just such a fun visual). 1. Leo Friedman's Let Me Call You Sweetheart, recorded by the Arthur Clough in 1910

Let Me Call You Sweetheart was one of the highest charting songs throughout the early 1910's, and the most popular version was recorded by a group called the Peerless Quartet. Edwin doesn't really strike me as a quartet enjoyer, though, and this version by Arthur Clough was released the same year. I think he would have enjoyed the tonal quality of Clough's voice much more.

2. Grace Le Boy's The Good Ship Mary Anne, recorded by Nora Bayes in 1914

Nora Bayes was a very famous vaudeville performer of the 1920's, and lot of her biggest hits were recorded shortly after Edwin died (like, literally 1917-1925). I wrote a snippet for a fic that got left on the cutting room floor a while back about the song itself providing a positive association with the term 'Mary Anne', and I still stick by that. In this song, the name 'Mary Anne' only refers to a ship.

3. Irving Berlin's Alexander's Ragtime Band, recorded by Arthur Collins and Byron G. Harlan in 1911

So, this song could technically go under the jazz section, but I'm going to put it here, and I'll explain why. Jazz is an art from that was created and popularized by black musicians, which is why it was seen as such an undesirable art form for such a long time. People liked the music, but they didn't like that it was made by black artists. Alexander's Ragtime Band originated in Tin Pan Alley and was one of the top charting songs for much of 1911 (first in America, then overseas), but it was created by a white artist that was simply 'jumping a trend'. Strictly speaking, genre-wise, its not even a ragtime song—it's a march. It's just about ragtime.

I honestly don't really even like this song that much, and I'm not sure Edwin would have very strong feelings about it either. However, it was an extremely pivotal song for the time period, and likely would have been inescapable (or as inescapable as music could be back in the 1910's, given that music required either records or live performances). Think of it as the equivalent of a pop song that you could really do without, but its so popular that it keeps winning awards and playing in every Forever 21 and H&M within a ten mile radius.

Honorable Mentions - Gus Edwards' By the Light of the Silvery Moon, recorded by Ada Jones - Percy Wenrich's Moonlight Bay, recorded by Dolly Connolly

~~~~

I hope you guys enjoyed this! I also made a playlist, if you'd like to take a look (I couldn't find all the songs, and not all of them are time period accurate, but I tried my best).

If ya'll liked this, I might make one for Charles and dive into ska and Rude Boy culture a little bit. Feel free to send me any questions or ideas you have about all this stuff, too! I love talking about it.

For the people who asked to be tagged: @likemmmcookies @edwinspaynes @asnottoldbyginger @rexrevri

@l-nightmare @ricebees @aroacespacerock @haledamage

(plus i'm tagging you, @laiqualaurelote, because I feel you would appreciate this)

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[louisferrignojr]

gotta say that i disagree that nobody fights for buck. in s5 taylor said it best: buck's life is full of meaningful relationships, actually. every person of the firefam would fight for and support buck. he is and will never be alone again in his life, especially during the hard times (which they reiterated in 8x05). meanwhile, we see thus being contrasted with tommy not having any kind if support system like that. the same seemed to be the case for taylor. i know people want tommy to fight for this, and i agree that i definitely need him to check his trauma and fears to work this out with buck. but buck is the main character that has had seasons of alleged development. he died and came back, got clarity, was supposed to finally feel good in his own skin, worked out his childhood trauma with his parents in therapy, formed a support system, now discovered he is bisexual and felt free with it. and now tommy is the only one who should grovel? i get the idea but. evan buckley is the character we have seen grow and learn. i want him to put in the work as well. look at how he fought for his job when he thought he would lose it forever. THAT is what i need from him rn. if he is just giving this up with a shrug, then i don't want bucktommy in canon. we have seen tommy taking care of buck and supporting him in all his shenanigans. i need to see that buck is absolutely serious about this and ready to fight for it. if he doesn't, he still hasn't found his true love or still doesn't know what he wants in life. i am bored by this. we have been here multiple times already. do something else with evan buckley finally or just allow him to be a bachelor forever.

okay yes buck has meaningful platonic and familial relationships.

no romantic partner has fought for him. abby ghosted him because of her own issues even though she's a fucking grown ass woman, ali got a reality check and broke up with him when he was in recovery after nearly dying, which okay, fair enough. and while i believe taylor did nothing wrong in reporting the jonah story, the narrative wants us to think she prioritised her work, and she did betray buck's trust which, again, buck wanted to protect his firehouse (which is his family) so he wasn't being objective. reporters exposing scandals within govt orgs that are supposed to protect the public is not a bad thing, actually. the only time he's broken up with someone first is natalia and we were told it's because she was obsessed with his died-and-came-back experience.

and listen. i love tommy more than anything. but buck is still the main character. we're going to see buck going through the breakup, not tommy. we're not going to get much about tommy's past. we're not going to get any scenes with tommy and another character if buck isn't also there. you remember karen going to chimney and them day drinking together because they thought hen was being unfaithful (again)? i wish we could see tommy and chimney talking about their buckleys. but the way the show got rid of all minor characters and consistently treats LIs as nothing more than LIs... i'm not hopeful. we'll get one scene with tommy's Explanation and i'm not even hopeful it's gonna be well written (but i'm sure lou will be serving. god. they wrote such a shitty break up scene and he fucking ATE.)

yeah, buck fucked up by jumping the gun and asking tommy to move in with him when he couldn't even say the i love you, and i hope this will be addressed in future eps. but tommy immediately ended the relationship because he Knows Better and left buck heartbroken. this is what happened on the show. the average viewer isn't doing ten layers of analysis to understand tommy's perspective, nor should they have to. i love the metas, i'm digging into tommy's headspace in my next fix it fic, but this is still the dumb weewoo show.

i don't think tommy needs to grovel, i don't think he's the Bad Guy in this story, i have a lot of empathy for tommy and so does the GA! they're not mad at tommy, they want him back! they want bucktommy back! and i want them both to fight for each other, to apologise and admit to their fuck ups and admit how much they care about each other and that they want to be each other's forever love! i want them to say i love you!

but buck is still the protagonist in this story and i don't want to see him running back to someone who broke up with him in such a way that had him asking "wait, did you just break up with me?" because again, this is what happened on our screens. i want tommy making the first move, opening the door for reconciliation, showing that he knows he made a mistake out of fear from his past trauma, for buck to then know he is wanted, that tommy came back for him, and then put in the effort to fight for them.

hope this makes sense. and as always, for people reading this - this is not the space for you to bash on buck's previous LIs, please take it elsewhere.

[jamscandraw]

New TOH OC time! 🎶🦇🔔 A lil bit of lore under the cut :)

This guy is from my TOH story/AU, A Coven Just For Two, which is (hopefully) going to be a long-running fanfic very soon! Roscoe is an old classmate and former sort-of-bully/rival to Murph (and by extension Steve). Murph is a bit of a misfit, even at Glandus, and seems to be immune to ROscoe's powers of intimidation (and flirtation), which just infuriates him and makes him try twice as hard. They scrap and squabble a lot over the years and certainly don't get on but never really hate each other either. They don't really stay in touch after Murph leaves Glandus (save for once chance encounter when they're both 19) and their paths don't cross again until Murph is asked to join the CATTs rebellion by Katya.

Roscoe is a grumpy, surly guy who always tries to be taken seriously but it doesn't always work. Over the years he's mellowed out a bit and definitely doesn't care about status and popularity as much any more (the way only highschoolers do), and has developed a little bit of a sense of justice. He was horrified to hear his cousin was imprisoned for something as mundane as writing fan fiction (even if he doesn't think it's any good) and starts to see parallels between the way the Emperor's Coven treats its subjects and the way the kids at the top of the pecking order at Glandus would treat the "weaker" ones. Determined to do something decent with his life (he's been playing in shitty bars and making very little money) he agrees to join. Things get a bit awkward when Murph joins the group (he was their first kiss. They don't talk about it) but they quickly learn to work together as allies even if they can't be friends. Even after all these years Murph still remembers exactly how to get under his skin and piss him off. I haven't quite decided what I want him to be post-canon/in the timeskip but I'll think of something!

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[andrewminyardslawyer]

PSA for those writing coffee shop AUs, bakery AUs, etc.

I have worked in the food service industry for 20 years and I just wanted to make an informational list of common mistakes or misconceptions I see in writing about said industry. Not trying to be a jerk, just thought I would try to make a helpful list! I will add more if I think of any and please feel free to ask any questions you may have!

- it's cookie dough, not cookie batter. Doughs are for thicker stuff, typically something you can pick up in your hand (cookies, bread). Batters are more liquid and pourable (cakes, brownies, muffins)

- one person cannot make all the products from scratch and bake everything themselves unless they are a very slow business. Most of the time someone has a specific thing they do weather it's focused on specific products or split up like one person does the batters/doughs, one person preps and bakes, one person decorates. Sometimes one person does multiple things but generally not every single thing every day by themselves

- Front of House = people interacting with customers like barista, waiter, person at the register. Back of House = people making the food (line cook, baker, etc), dish washer (the worst job in the world, I salute all dishwashers everywhere)

- if they're doing stuff like bagels, doughnuts, breakfast pastries, cinnamon rolls, bread, etc they are there EARLY. Depending on the product some people start working at 2 in the morning. I saw a published book that had someone making dozens and dozens of cinnamon rolls from scratch in like one hour. Not possible even though I wish it was

- frosting, icing, and glaze are all different things. Frosting is the thicker stuff you see on cakes and cupcakes. Icing is typically for cookies, especially the decorated cut out sugar cookies. Glaze is thin, like what you get on doughnuts

- 99% of people who work in the food service industry will immediately go home and shower. I've seen lots stories where the character gets done at work and goes out. You are covered in various substances with powdered sugar in places you didn't know it could get, a shower before Literally Anything is a must

[borathae]

The Consequences of Fucking Up

“Your break up was messy and painful. All you want to do is to forget about him. His friends, who ever since you ended it with Yoongi see you as their bullying target, make sure that the memory of him stays fresh in your mind however, haunting you day by fucking day. While Yoongi makes it seem as if he gives no fuck about your situation. Until one night he is in front of your door. Drunk and fucking regretful.”

♥️ Requested by anonie ♥️

Pairing: Gangster!Yoongi x f.Reader

Genre: Exes!AU, Messy Break-Up!AU, Crime!AU, Cop!AU, Hurt and Comfort, Angst, Smut, a lil bit of Fluff

Wordcount: 15.9k

Warnings: lowkey they're bad for each other, but also somehow so right?, OC is such a people hater, I feel like she has mental health issues which are never addressed tbfh, she is quite the pessimist, unhealthy consumption of alcohol, smoking of cigarettes & weed (listen. i hate smoking and stand by that but it sadly fits their characters), Yoongi is kinda apathetic and cold, or is he??, IS HE???, implied violence and murder, corrupt cops & lawyers, policeman!Jungkook makes an appearance and he stole my heart tbfh :(, he is so cute that i almost sobbed, drugdealer!Hoseok makes an appearance too, there is also detective!Namjoon and smuggler!Taehyung because I love this vibe :); abuse of power, fuck Yoongi just fuck he is so ngngn, slightly protective & possessive!Yoongi, intoxicated sex, desperate!Yoongi, no foreplay, but she is not uncomfortable, choking (m.receiving), rough desperate sex, position change from sex against a sofa to missionary on said sofa, a lil bit of strength kink hihi, he cums too soon, dirty talk, tears :'), he is actually so emotional during the sex, the ending is so cheesy and cute <3, Spoiler: he is willing to change!! and he is a cutie actually, jsjsjsj sorry but i love yoongi a lot :(

Disclaimer: This is purely fiction and isn't like my usual stories. It does not portray how the boys actually are and it is not how I see them. This is a work of fiction with no correlation to real life. The type of relationships depicted in this story are far from how I normally portray my relationships and I do not advertise for such relationhips or staying in such relationships. This story is supposed to be twisted and dark & so are the relationships in it, as well as the characters. You have been warned. If you decide to continue reading, then it is out of your own free will.

a/n: now that the disclaimer is out of the way i can officially bark because woof woof fuckkcc anonie thank you so much for this idea. i had the worst and best time writing this story like nfnfnf her mental state was definitely very difficult to write, but their tension just got to me. i made the ending as cute and fluffy as possible just as you wanted hihi <3 also i love villian characters who would set the whole world on fire just to prove their dedication :) i hope this is what you imagined, because i kinda made it longer and with more plot than i planned to at first sjjsjs i couldn't be stopped jsjsj ALSO this is giving me the perfect opportunity to finally write a Kook request I got years ago ohoho

Yoongi collides with the wall, feeling the cold nuzzle of the gun press against his chin. He drops the keys and flowers he was carrying, lifting his hands in defeat.

“Careful, it’s just me”, he lulls.

“Get the fuck out of my house”, you spit, carrying murder in your eyes. 

Three months prior

“So you’re breaking up with me?” he asks, gawking at you with widened eyes. He looks more surprised than he does hurt. Probably because it hasn’t actually sunk in yet.

“I am.”

“No, you’re not.” He laughs because he never takes anything seriously.

“Yes. I am.”

“Too bad, I won’t act like it.”

“Yeah, you will.”

He laughs, “you’ve had better jokes, but I still admire the commitment.”

“You see. That’s the problem with you. Everything’s a fucking joke to you.”

He is smiling. It reaches his eyes.

“Your job, your men. Me. Everything’s a fucking joke to you. If you would have taken Sukuna’s thread seriously, Soojin would still be alive. If you didn’t fucking insult Miss Mei, you wouldn’t have lost twenty thousand in drugs and you wouldn’t have to fucking kiss asses like a beggar.”

His smile doesn’t reach his eyes anymore.

“If you would have put any kind of effort into me, I wouldn’t be leaving now. You take everything as a joke, while in reality you are the biggest joke here.”

His smile falls. You stood up and that actually scared him. 

“Wait baby, wait. Princess, we can talk about this”, he argues, closing the distance with his arms stretched open. “I’ll fix the issue with Miss Mei, I promise.”

“Doesn’t matter. I’m done talking. Soojin died because of your recklessness.” 

Yoongi touches your hands. He holds them, clutches them. You have never felt such a touch from him before. As if he actually loved you. 

“What can I do? Tell me and I’ll do it”, he offers, caressing your knuckles. 

This is what you craved for months. Affection. Attention. You were always a passing thought to him. Something to fuck and possess. Something low maintenance like all his other shit. His current touch almost makes you want to stay because for the briefest moment, your breaking heart wants to believe that he finally changed. 

But you know better. He doesn’t take you seriously and if you stay, you will one day end up like Soojin. Metaphorically or not, you will end up dead because of him. 

“There is nothing you can do. Sorry.”

You slip out of his touch.

“Baby”, Yoongi follows you with panicked eyes, trying to touch you again.

“Goodbye, Min Yoongi.”

“Please don’t leave me.”

You close the door and run, finally letting the tears escape. 

You love him.

You always have and perhaps always will. 

You don’t want to leave, but know that staying will kill you. 

One week passes. You spent it holed up in your small, shitty apartment, crying your heart out. Yoongi was the best and worst thing that ever happened to you and you miss him. You hate that you miss him. Because he was way worse than he was good. 

He was never abusive. He was a violent man to anyone but you. You, he always touched with utmost care. At you, he never screamed. But he was still not good. He was cold and apathetic at times, then terribly affectionate at others, only to become cold again. And you couldn’t take it anymore. 

You wouldn’t have left your apartment today if your fridge hadn’t been empty. It wasn’t always empty, but sadly enough, groceries don’t magically appear. Not even for an outlaw such as yourself.

The city is busy. The smell of street food, smog and body odor poisons the air. The weather is hot these days and people started sweating more. You can’t stand people. You pull the mask tighter around your nose, hoping to shield the stench this way. 

You greet the clerk when you enter the shop, lowering your mask. It smells of grocery store in here. Fresh bread, produce and clean floors. It’s a welcome change to the rancid outside.

You spent fourty minutes in the shop and pay with cash. You never pay with card because it can be traced. Someone like you can’t risk being found. 

“See you”, you say your goodbyes and leave the store. You plan on coming back in three weeks. You can’t stand being outside often.

The door just about closed behind you and then someone jumps you. Three people to be more exact. Two hold your arms while one rips the bags out of your hands. 

“Let go! Hey, you fuckers!” you fight them off instantly, surprised at how easily it is to do. Way too easy. They let go of you as quickly as they grabbed you. At first you think that nothing happened, until you notice your grocery bags in one of the guys’ hands. They stole your stuff!

“You motherfuckers! Get back here! They’re mine!” 

They run away, flipping you off over their shoulders.

You sprint after them, but before you reach them, they jump onto a tuk tuk and drive off, finally showing you their faces. Those were some of Yoongi’s underlings.

“What the fuck?” You stumble back in disbelief. “Did they fucking steal my food? What the fuck’s happening?” 

It takes you a while before you finally come to the conclusion that you have to buy everything they stole a second time. And you do. And nobody jumps you. And you go home, make yourself shitty dinner and drink a bottle of soju all by yourself. It isn’t a good night. It’s a shit night. But then. All your nights have been shit for years.

You met Yoongi four years ago. It correlates with when your shit nights began. Okay, you are being unfair. The first two years with him were paradise and your nights were wonderful. You were an aspiring lawyer, while he was in the midst of getting a promotion to superintendent.  You supported each other’s dreams, motivated each other and celebrated when your goals were achieved. Then the truth spilled out. The man you knew to love turned out to be a lie. Why you never left, you do not know. He gave you the chance to leave, but you didn’t. You made yourself low maintenance to him and your nights became shit. He pretended to be a proper policeman by day while you pretended to be a proper lawyer and at night he became what he hunted by day while you tried to hide whatever evidence about him flooded into the offices. You hated it at first, then loved it, then lost your job because of it and became dependent on him and started to hate it again. Well, at least working for him. You liked everything else. Having to work in the system and seeing how corrupt even the most eligible politicians or CEOs truly are, made you realise that perhaps stealing from them isn’t as bad as it first sounded. You liked being on the dark side of the law because the bright side was just as twisted. You just simply started to hate that it means being close to Yoongi.

It took Soojin’s death to finally make you realise that staying with him will end in your death as well. And so you finally left.

You will start a new life, make up a new identity, move to a different country and forget about him. Maybe. Who knows. You haven’t decided yet.

A letter comes five days after the grocery store incident. It is stuffed into an unsealed envelope and clearly delivered by the person who wrote it. You open it, feeling shit instantly. Whoever wrote this letter is calling you the most hurtful of names, telling you personal stuff which truly hurts. You throw it away and go back inside, opening a bottle of soju. It wasn’t Yoongi’s handwriting, but somehow you still think that it is connected to him. You try not to let it get to you, but you still end up rotting away in your bed for the rest of the week only leaving it to piss, shit and eat. 

The next week your packages are missing. You never get them back. The culprit is never found. You curse the sky, knowing that it was fruitless. Yet again, you think that it was connected to him. To Yoongi, the man you wanted to forget, but who keeps haunting you day by day.

The city at night is a dangerous place. If you don’t know where to walk, you could find yourself in a rather messy situation. Especially as a woman. You are glad that most women are clever enough to stay at home once darkness greets the streets. Most women don’t know how to defend themselves though. Properly and without the law in mind. You killed before. Once. It was self defence. Yoongi took care of the body, you never found out what happened to it. He stayed with you the night it happened, even let you cry in his arms. He was gone the next day and never spoke of it again.

You clutch the big knife tightly in your bag, scanning the streets constantly. It isn’t far anymore until you are home. Hopefully the heavy rain clouds stay dry until you get there. You aren’t in the mood to get wet. Not tonight. You would have never left if you hadn’t ran out of fucking cigarettes. The kiosk was closed, so the journey was useless. Thunder announces that the clouds aren’t your friends. Mere seconds later, it starts pouring.

“Fucking shit, I hate this city.”

Rain in this city is always dirty and never really cold. You take it as a bad sign. Rain shouldn’t be warm. Not always, not constantly. Something’s wrong with this city. Something is rotting slowly until one day it will consume everything in its wake. You hope to have left before it can wake up.

The way home is too long for the amount of dirty rain it pours. You find refuge under a shop sign. There are no rooftops or canopies in sight and the only thing close to a safe place was the stupid restaurant sign. Authentic Asian Beef Noodles, it reads in bright red letters. The place is stuffed with people and the smell of beef broth mixes with the dirty scent of rain. You grind your teeth. What a shitty situation you find yourself in. You prefer being outside though. You know that once inside, the restaurant would be hot and stink of digested booze and body odor. You take getting wet over breathing in people’s air.

Except that you don’t really stay wet for long. The distinct sound of rain hitting an umbrella meets your ears. You look up. Black. You look to the side at the person holding it. Yoongi. Your stomach twists, your heart skips a beat. He is wearing a suit tonight. Black with a black tie. His hair is slicked back. He used makeup to  conceal the scar running all the way from his forehead over his eye and down half his cheek. This is his work outfit. His police chief outfit. Yes. He is a chief these days.

Your instincts tell you to leave without saying anything, but it’s been six weeks since the breakup and you still love him. You hate that you do, but can’t stop staring at his face. He has his brows raised in a nonchalant way as he inspects the heavy rain. He doesn’t grant you eye contact, but holds the umbrella in a way which lets you know that he came out here after seeing you. His left shoulder is getting wet, while you stay dry completely.

“What are you doing here?” you hear yourself ask him.

“Work dinner. I have to pay ‘cause I’m the boss and all that shit. They’re eating like greedy pigs”, he scoffs, “fucking assholes.”

“I see.”

“You?” 

“Buying smokes.”

He finally looks at you, studying from head to toe.

“The kiosk was closed”, you answer his question about your cigarettes’ whereabouts before he can ask it.

“I thought you quit.”

“Some things happened which made me start again.”

“Mhm”, he hums and takes out a packet of cigarettes from the inside of his suit jacket. He lights himself one and puts the packet away again, leaving you to stare at the smoke he blows out through his nose.

He isn’t actually serious, is he? It is like he is mocking you. It is already bad enough that he sends his stupid goons to terrorise you, now he is mocking you as well? You hate that you still love him.

You stay like this for a while. You staring at him while he holds the umbrella for you and smokes. You don’t know why you stay. You hate that you love him. You hate it so much.

Yoongi takes a long drag of the cigarette and exhales the smoke in an almost sigh-like breath. He lifts the cigarette, holding it closer to you.

“What?” you sound disbelieved, scandalised even.

He doesn’t say anything. He just shows you the cigarette as his eyes follow the endless rain. You hate that you love him. You hate it so much. But you still take the cigarette and put your lips right where he had his’ moments before. But you still smoke it as if it was the most normal thing to do. Because it once was. You and he shared many smokes in the past. It was once the most sensual, erotic thing to do between you and him. Barely clothed, intoxicated minds and high on the other, you often shared a joint as you got each other off. Fuck, it was always so fucking orgasmic to be with him that way.

“Wanna grab a bite?” he offers, pointing at the restaurant behind him, “one more mouth to feed isn’t gonna ruin me.”

You are hungry. You haven’t had a proper meal in weeks. Instant ramen, frozen food and snacks is all your body has to run on. You have no energy to cook and with how shitty you eat, it is a vicious cycle. Shitty food gives little energy, you already have low energy. The motivation to properly cook grows lower and lower each day. You dread the day you have only enough energy left to open a package of chips and eat it for breakfast, lunch and dinner.

“I’m not hungry.”

He glances at you. He knows that you are lying. Your eyes have greyed in starvation. He almost rips the cigarette out of your fingers and smokes it angrily, huffing out the smoke. 

“I’m offering”, he hisses.

“And I’m declining. I can take care of myself”, you throw back and rip the cigarette from his grasp to smoke it angrily. 

You may be starving, but you will be damned if you make yourself dependent on him again. You left him to finally prove to yourself that you can take care of yourself. You don’t need his help. Not anymore. 

You take another deep drag, then hand the cigarette to him. He smokes it, glaring at you. You know that your stubbornness angers him.

“Tell your men to stop pestering me”, you say into the tense silence. 

He looks over his shoulder at his police team. They are too drunk and caught in conversation to pay their boss any mind.

“They’re inside”, he says.

“You know I don’t mean them. Tell your other men to stop annoying me.”

“I have no idea what you’re talking about.”

“Yes. You do.” It is your turn to smoke. “It all started when they stole my groceries, but it’s been getting childish. My packages keep getting stolen, my internet cuts off, I find letters in my mail. Letters saying awful things about me. It’s getting ridiculous. Tell your men to stop terrorising me.”

“Stolen packages?” He takes the cigarette from you, brushing his fingers against yours as he does. The touch feels like the sweetest poison on your skin. “This doesn’t sound like my problem to solve. Go to the police.”

“Are you serious?” 

He inhales, exhales the smoke into your face. You should be disgusted by it, but almost huff it in like an addict. Yoongi watches your lids lower and your chest raise in a greedy breath, finding it hard not to stare at your lips as he hands you the cigarette. You smoke it. His eyes are still on your lips, glued to the shape of them as his throat runs dry.

“Very serious”, he rasps.

“You are the police”, you throw back in disbelief, exhaling the smoke into his face that way.

“Mhm yeah, I guess I am.” He takes the cigarette, smoking it with half lidded eyes. He exhales, handing you the cigarette. “When are you going to come home again?” he asks, looking back at the rain.

You almost choke on the smoke, exhaling it in a cough. Yoongi glances at you from the corner of his eyes.

“Your farce is getting ridiculous”, he says coldly.

“My farce?”

This break up wasn’t the first break up you and he went through. You left many times before, always thinking that you were finally strong enough to forget him only to come crawling back again. You don’t blame him for doubting that this time will be different, but you still can’t stop yourself from getting angry.

“Did you even hear what I said?”

“I did. Go to the police. I have nothing to do with it.”

You drop the half-finished cigarette. It dies in the puddle on the ground.

“I was smoking this”, he says dryly, “besides, don’t litter.”

“Pick it up yourself if you care so much about these dirty ass streets”, you spit and turn to leave. You take getting wet over being with him any longer.

Yoongi watches you leave, shakes his head in disbelief and bends down to pick up the cigarette. He won’t run after you because you will come crawling back eventually. You always do.

“Sir?” 

He turns his head. One of his officers. He is young and with sparkles of big dreams in his eyes. Yoongi pities him. This city is going to chew him up until there is nothing left of him. He had the same dreams once and knows what the viper nest, which is the justice system, is going to do to him. 

“What do you want?” he asks him dryly, rolling the wet cigarette between his fingers.

“Who did you talk to right now?”

“Just someone important to me.”

“Shouldn’t we escort her home? It’s raining and there could be criminals on the streets. It’s too dangerous for a woman to be alone.”

“She’ll get home safely.”

“Are you sure, Sir? I stayed sober for cases like these. I could get the car right away.”

“You’re sober?”

“Yes, Sir.”

“But it’s a work dinner. You’ve been off work for hours.”

The young officer salutes, “I know, Sir but a policeman shouldn’t slack, Sir.”

Yoongi feels deep pity for the young man. He is so motivated, so proper and full of good spirit. Waking up is going to hurt like a bitch for him.

He pats him on the shoulder.

“You’re a good person, Jeon”, he says and swerves past him to get back inside. 

The young officer follows him with pride glimmering in his innocent eyes. Yes, waking up is going to hurt like a bitch for him. 

Yoongi wasn’t always living two lives. He was like his young officer once. Full of dreams and motivation. He dreamed of using his powers to do good, to help those who needed it most and then he woke up. He watched politicians and men in power ruin, rape and kill the powerless without ever getting punished for it. He felt helpless. If even someone in his position can’t change the world, then who will? His criminal work was honourable once. He slipped evidence money under the table to hand out to the powerless, he let proof disappear for people doing crimes out of desperation. One time he was supposed to put a starving mother behind bars because she stole diapers for her babies. Yoongi couldn’t do it and so he disobeyed the law for these kinds of people.

But then his criminal work became less about the powerless and more about him. Making money the illegal way was easy and it is fucking addicting. Especially when he could make sure that evidence about him never reached the higher ups. Yoongi fucking loved the sudden power he possessed and he was too blinded by it to see that he became exactly what drove him to criminality in the first place.

Yoongi tells his officer to check up on your place that night. The young officer rings the doorbell like he was told to do.

You open it, swaying from intoxication as you do. The stench of digested booze wafts off you. But you somehow seem to sober up when you see the police badges on his shirt.

“You’ve got the wrong person”, you tell him, trying to morph your face into an expression of sobriety.

“Don’t worry, Miss. I came here to check on you.”

“Check on me?”

“Yes, Miss.” He salutes you. “I have orders from my captain to make sure that you arrived home safely and that you received this”, he says with an innocent smile on his lips, presenting a plastic bag to you. 

Authentic Asian Beef Noodles, it reads in red letters and inside, three big takeout containers of food are waiting to be eaten. 

Everything clicks into place. This is one of Yoongi’s employees. Another young, hopeful spirit which will be crushed in the system. You pity the young officer. You had the same innocent sparkle in your eyes once.

Hesitantly, you accept the takeout food.

“Thanks”, you mumble.

“Any time, Miss.” He studies you for a moment. “Are you…are you okay, Miss?”

You bite back tears. His empathy is going to kill him one day. But it feels so good to receive. You haven’t been asked this question in so long.

You shake your head. He straightens up in worry. 

“Should I call help for you, Miss?”

You know what he indicates.

“Thank you, no. I’m just going through some shit. Sorry, I’m being sappy tonight.”

“You don’t have to go through it alone, Miss.”

“I know. I’m just… I’m seriously alright, I won’t do anything stupid. You don’t have to worry, officer.” 

“Yes, well I still see it as my duty to stay because you seem sad to me”, he says and tries to go inside your apartment. He still has a lot to learn. You know from his eyes that he has no bad intentions and that he truly wants to help, but you know how the city will treat such deeds. One day he will try to help the wrong person and end up with attempted sexual assault charges. And it will fucking destroy him because people like him only see the good in the world and can’t imagine that others would want to hurt people.

You stop him with a guiding hand on his chest.

“That isn’t necessary, really. My packages keep getting stolen and I guess it’s been annoying me.”

He pulls out a pen paper instantly, stepping closer to you without noticing, “your packages? Have you seen anyone suspicious? How many packages have gone missing? When did it start?”

“No, I… Thank you for your concern and the food, but I will get through the night safely.”

He steps back, cheeks reddened in embarrassment.

“Forgive me, I don’t know why I did that. My captain said that you were important to him and that I should make sure that you are well, so I wanted to do a good job at it.” He bows at you deeply. “Please forgive me, Miss.” 

“He said that?” you whisper.

He nods his head, “yes, Miss.”

“Oh. Uhm. ” You clear your throat. “Thank you, I, uhm, tell him that I’m good.” 

“I will, Miss. Here, my card. You can always call me when you need something” he hesitates, “or when you just need someone to talk to.” 

“Thank you. This is so kind.”

“You are never alone, Miss.”

“Thank you”, you say, bowing at him. He is so kind. God, you want to grab him and tell him to run before it’s too late.

He bows as well, “good night, Miss.”

“Good night.”

You watch him leave. He gives you one last look out of the police car and a kind wave, then drives off. 

You close the door with a curse. This just sobered you up. The young policeman’s kindness just sobered you up. You check his name on the card he handed you. Jeon Jungkook. Why someone like him? He never should have found his way into this field of work. 

You look at the takeout food next, feeling your stomach twist. You are important to Yoongi. Holy fuck.

It’s been eight weeks since you left him. You don’t feel better. The cigarette you shared was two weeks ago and yet you still feel as if it was sticking to your lungs. Each time you breathe out, you swear you can taste him. It almost suffocates you and keeps you from relaxing. So you leave your depressing place for a walk to the kiosk. You read somewhere that walks are good for one’s mental health. You can’t agree. Walks force you to be outside where people are loud and fucking stink.

The vendor must be fucking with you. The day is bright, but the kiosk is closed again. You bang your fist against the closed door, cursing loudly. You want your fucking smokes is that too much to ask? This city is fucking shit.

You’ll just call someone who will always help. You saved him as Jay. His real name is Hoseok. You don’t say his real name in public. He doesn’t say yours. Yoongi sometimes called him his best friend, but what is such a title out of the mouth of the most apathetic man you know? You were his girlfriend too and look at where this has gotten you, living as an outlaw in the shit and dirt of this city.

Like always, Hoseok lets the phone ring four times then he picks up.

“Flames are hot”, he says.

“And the arsonist works hard”, you answer him.

“Hyacinth, it’s good to hear your voice”, there is finally a smile in his voice now that you answered the code correctly.

“The same goes for you, Jay.”

“What’s up? I haven’t heard from you in ages.”

“Nothing much. I’m out of smokes.”

“The corner in twenty?”

“Yeah.”

You and he end the call at the same time. Twenty minutes later you meet. He wears black overalls and smudged eyeliner. He says it keeps the char easier to hide. Like always, he greets you with a quick hug.

“What do you got?” you ask him.

“Whatever you want.” He opens his bag. “I’ve got cigarettes, but something stronger too”, he says, scurrying around the contents of the bag with his fingers. He always has burn marks on them, but somehow they are never dirty.

“What do fifty bucks buy?”

“For you? Two packs of cigarettes and two joints. That’s a steal.”

“Fuck dude, you’re getting expensive.”

“Yeah well, a man’s gotta eat.”

“Fine, I’ll take it.”

You and he exchange goods. He makes small talk.

“But why are you here with me? Did Suga run out of goods?”

Suga is Yoongi’s codename in public. The sound of it almost brings bile into your throat. You did such a good job in forgetting him and now the memory of him is as fresh as a new day. At least you like to pretend that you are doing a good job at forgetting him. Your heart knows better though.

“We, uhm…”

Hoseok exhales sharply, “again?”

You nod your head.

“When?”

“More than two months ago.”

“Damn, that’s long.”

“Yeah, I’m serious about it.”

He cocks his brow up.

“I am”, you insist just a little snappishly.

“Alright”, he closes his bag, “I gotta go now.”

“Already?”

He looks around nervously. Almost as if he didn’t want to be seen with you.

“Yup. Use the stuff wisely, I won’t have new stuff for a while.”

“Seriously?”

He nods his head and salutes you nonchalantly.

“See you around.”

“See…you?”

He turns his back to you and walks off quickly, soon disappearing into the busy crowd. Is this your fate? Even the people closest to you avoid you now that you aren’t Yoongi’s anymore? Were you truly only worth something as his little thing? You ball your hands into fists, bending the joints this way. You have to leave this fucking place. There is actually nothing holding you here anymore.

That night the phone terror starts. Numbers keep calling you over and over and over again. You pick up the first time, only to have to listen to the most hurtful things another human has ever said to you. The voice wasn’t Yoongi’s, but you still blame him. Now that you aren’t his thing anymore, you became free food to whoever had been waiting to make your life a living hell. You turn off your phone after an hour and go to sleep with the help of Hoseok’s joints.

The doorbell wakes you the next morning. You consider not answering because it’s probably just one of his goons wanting to terrorise you. But whoever is ringing the doorbell is stubborn, forcing you out of your bedroom. You look through the door cam first.

That young officer. He is in full uniform.

You open the door hesitantly.

“Good morning”, he greets you with a wave and a smile.

“Good morning”, you murmur. Your mouth is as dry as a fucking desert. You are also so hungry that you could throw up in his face right now.

“How are you feeling, Miss?”

“Good.”

“That’s good to hear.” He says and shows you a package which he kept hidden behind his back all this time. He smiles brightly and proudly. “Tada!”

“What’s that?”

“I caught the package thief, Miss.”

“Are you serious?” you gasp and your eyes instinctively drift to the car you have noticed parked outside your unit for days. The door is opened and someone is sitting in the backseat. He looked cuffed to the seat. You glance at the young officer and the shiteating, proud grin he is sporting. He has been watching you? Did Yoongi tell him to?

“Wait. You’re actually serious.”

“Very serious. For you, Miss”, he says and shoves the package into your face.

“Uhm, uh. Thanks”, you accept it, putting it under your arm. “Have you been watching me?”

“Did you notice the car? Sorry, I thought that I was better hidden. I’m still new to all of this. But I caught the thief, heh.” He points at himself with his thumbs. “That’s my first real arrest.”

He manages to drag an honest smile to your lips. He is kind of adorable in a way.

“That’s cool. Thank you for taking care of it. Now I’ve got nothing to worry about anymore.”

He grins and nods his head, studying your features afterwards. He opens his mouth.

“Jeon are you there? Over”, his walkie talkie interrupts whatever he wanted to ask you. He takes it off his chest harness.

“I’m here, Kim Sir. Over.”

“Come to the precinct. We need reinforcements. Over.”

“Coming right away, Sir. I caught a thief right now, Sir. Over.”

A pause where the higher officer is definitely baffled by his confession.

“Good job, Jeon. Over.”

The young officer giggles before he speaks again, doing so as seriously as possible.

“Thank you, Kim Sir. I am taking the criminal to the precinct. Over.”

“Understood. Over.”

He puts the walkie talkie back on its harness and gives you a sorry smile.

“That was my boss. My other boss, not your friend who is the boss of this boss. Anyways. I have to go now, duty calls. Are you going to be okay, Miss?”

“I am. Thank you for your kindness.”

“Anytime, Miss. Uhm, have a good day”, he says and leaves with a wave of his hand. He waves again as he drives off. You retort it, staring at his car until it disappears behind a corner. You sigh deeply. He is so nice. Why someone like him? Why does this life always find people like him?

It’s been ten weeks since you left him. You read somewhere that walks are good for your mental health. You still can’t agree. Walks force you to be outside where people are still loud and still fucking stink. But it’s better than staying in your apartment. You’ve got new neighbours since Monday. They keep fucking like actual animals. They fucked when you left your place tonight. You were this close to kicking their door in and slaughtering them like pigs. You opted for a walk in the end.

You walk for a while then sit down by an empty bench next to the river. It is quiet. Nobody is really here. At least nobody important. A couple, how disgusting. A late night jogger, clearly a man. A homeless person, who uses another bench as their bed. You hate looking at homeless people because you feel helpless seeing them. You stopped being on the bright side of the law because of people like them. You thought that maybe if you stole from the corrupt men in power often enough, you would be able to help the ones who truly needed it. But you never managed to actually achieve anything. The homelessness in the city grows, while the pockets of the politicians become fatter and fatter in wealth. You fucking hate this city. It is rotten to the core.

“Look who we have here. If that isn’t our pretty little Hyacinth.”

You aren’t quick enough to get up to leave and then you already have two men throwing their arms over your shoulders while a third is grabbing the back of your head from behind. You try to reach for your knife but can’t. Their grip on you is too good.

“What are you doing here all alone?”

Their voices are familiar and one look at them confirms your suspicions. It’s them. The same three underlings who stole your groceries months ago.

“Leave me alone”, you tell them.

“Why should we? You are all alone. If the boss knew we’re leaving you alone, he’d grow angry.”

“I can take care of myself.”

“Now, now don’t be like that. You’re just a girl and there are many dangerous men out there.”

You look to your side. One of them is licking their lips like a hungry animal.

“Yeah? And you’re being fucking inappropriate. Leave me alone”, you spit, shaking off their arms.

They let you. Just as they let you stand up and take your bag.

“Goodnight”, you tell them and leave. Quickly. You walk a good hundred feet until you finally dare to look over your shoulder only to realise in horror that they are following you. Quickly.

You can defend yourself. You know how to kill, but you also know when you are outnumbered. And three bigger men against a woman is sadly never going to end well for the woman. You hate this city and you hate this life. You know that their words were nothing but provocation. They know you aren’t with Yoongi anymore, that you aren’t under his protection anymore and that in some weird way, you sullied his honour. You also know how people who bring dishonour to the gangs of this city are punished. The men are murdered and the women, well, they are murdered too but not before being sullied themselves. You hate this city and you hate this life. This life which is going to fucking end for you soon.

You dare to look over your shoulder one more time. They are so close that you can see the hunger in their eyes. No. Nononononono. It can’t end like this. You were supposed to leave this city, start a new life, forget about Yoongi. You are not going to die here in this dirty, shitty park far away from your dream.

Thump.

You bounce back from the impact, letting out a blood curling scream. It was instinct. Just as it is instinct of the person you ran into to grasp you by your arms and pull you closer again.

“Let me go! Help! Help me!”

“Quiet”, the person hisses and shakes you. This voice sounded different. Familiar in an almost intimate way.

You dare to shift your eyes to them.

Yoongi.

“I, I, I”, you stutter, feeling delirious in both fear and shock. You grab his shirt, twisting it to get closer to him. The act is intimate and out-of-place but you are too frightened to think clearly. 

Yoongi brushes over the state of your glassy eyes to look over your shoulder. There are three men suddenly scurrying away, using the darkness to hide. He managed to get their faces.

He looks back at you. Your eyes meet. A little bit of clarity returns to you. What are you doing? Your fingers soften around his shirt. 

“I don’t…”

“Come on, we’re going home”, he say sternly and puts an arm around your waist, dragging you with him like this.

You follow him all the way to his car. You even let him sit you down on the passenger seat and you even stay seated when he rounds the car to get to the driver side. You think that you are in shock because you don’t protest when he starts the car, nor when he drives off. You simply stare outside with your knees turned to him because your body acts against your consciousness. The city passes you by in flashes of neon colours. His car smells like his cologne and leather. He has no music playing. 

Yoongi glances at your face. You have your head against the window, squeezing your hands between your thighs. The neon lights illuminate your features each time he passes by another light source. He can see that you are trying not to shake.

He takes a deep breath, shifting his eyes to the road. He has to grip the steering wheel, otherwise his hands would shake in anger.

“Should we get dinner?”

His voice rips you from whatever trance you were in. You sit up straight, looking at him. He is gripping the steering wheel to the point his knuckles pale. His long hair is hanging into his face tonight. A turquoise varsity jacket adorns him. His scar wasn’t hidden behind concealer. He wasn’t working his day job today. What was he doing at the park? Why was he there?

“Take me home”, you order him.

“I am.”

“No. Home. Not your place.”

“My place is your home”, he gets out through gritted teeth.

“No, it isn’t. Not anymore.”

“Don’t be ridiculous.”

“Did you see what they were doing to me?”

“No.”

You are lost for words for a moment. The tears come afterwards.

“Stop the car.”

Yoongi looks at you because your voice was shaking. He holds his breath at the sight of your tears.

“What?” he makes sure.

“Stop. The. Car. Now.”

He laughs and shakes his head.

You pull the knife out on him. He swerves to the side on instinct, fixing the mistake so vigorously, you and he shake in the small space. You don’t let it affect you, holding the knife against his skin.

“What the fuck are you doing?” he hisses.

“Stop the fucking car or I’ll kill us both”, you spit, holding the knife against his throat.

“Fuck”, he growls and hits the steering wheel. The car rolls to a stop.

“Get out”, you threaten.

“I am. Fuck.”

He follows your orders because you have his life at blade’s end. He still slams the door closed. You leave the car instantly.

“What the fuck were you thinking? You could have killed us both” he tries to scold you, but you silence him.

“I’m talking now”, you roar.

Yoongi closes his mouth because he has never heard you like this before.

“You are such an asshole! Each day I regret the moment I met you! You are the worst thing that ever happened to me!”

Yoongi gulps. 

“I had a life before you. I had dreams and ambitions and, and goals and…a chance. I could have had a good life. I was supposed to use my degree to help people but you ruined everything for me.”

He rounds the car in big steps, coming so close to you that you smell his breath. It smells like chewing gum. 

“You could have achieved something? What exactly did you achieve as a lawyer? Mhm, what did you achieve? This city is fucked.”

“Yes, because you fucked it!” you hit his chest. He doesn’t budge, but also doesn’t stop you. “You fucked it and you fucked me and I hate you for it!”

“Don’t blame me for your decisions. I gave you a chance to leave me back then. You were the one who stayed.”

You inch closer until your lips are almost touching. Yoongi exhales shakily, placing his hand on your hip. 

“And I will regret this decision till the day I die”, you whisper, breaking the closeness.

You slip out of his hold. He follows you in a small stumble and a trembling gasp. 

“I never want to see you again. Are we clear?” you hiss at him.

“Don’t be fucking ridiculous, you don’t want this”, he hisses back at you.

“You’re wrong, I don’t want you. I thought I still did, but I don’t. You don’t care about me, it’s finally so fucking obvious to me. You don’t fucking care.”

“You don’t know what you’re saying.”

“They are terrorising me, Yoongi!” You finally scream. “I wake up to people ringing my doorbell in the middle of the night, I have to keep my phone turned off because the phone calls don’t stop. I keep getting my stuff stolen and, and I thought I was going to be raped tonight! They are terrorising me and you called it not your problem!”

“No, you-”

“I’ve been living in constant fear, our friends don’t even look at me anymore, I haven’t eaten in days and I can’t-”, you stop yourself. He doesn’t even deserve your anger anymore. “-you know what? Fuck this and fuck you. I’m leaving.”

You turn your back to him and leave. 

He says your name and takes your hand. He pulls, tries to turn you to him. But you rip yourself free again.

“Don’t go”, he says.

You don’t listen.

“I’m ordering you to stay”, he sounds desperate, yelling your name, “I am ordering you!” 

He can yell as much as he wants to. You don’t listen to him anymore. The subway station isn’t far. You will make an exception and take it tonight. Even if you hate it. It stinks. Just like the rest of this shitty city.

You are going to leave. Once you are home, you are going to start packing and then you are going to leave. You will call V. You don’t know his real name, but he can change your identity as quickly as others change their socks. You will call V and tell him to have your passport ready the day after tomorrow. You will pay him with the money you have under your pillow and then leave for somewhere clean. Maybe somewhere with lots of mountains. You always heard that the air at these places is breathable.

You call V the same night. He tells you that two days is too short and to wait another week. So you wait. Your bags have been packed. You live out of them in your own place. You don’t leave it. You are scared. With how little Yoongi cared about your situation, you doubt that he told his men to stop. You are scared that if you left again, they would finally go through with what they couldn’t finish back then.

The doorbell rings during a rainy, dark night. You flinch awake to the point where you feel sick to the stomach. The lights are turned on instantly eventhough you know not to do that in such a situation. You can’t think clearly. You just want this to be over. All of it.

You run to the front door because you suddenly feared that it was unlocked. It isn’t, but you can watch someone push an envelope under your door. The shadow blocking the light outside leaves the moment the letter is inside your apartment.

You don’t want to open it at first, staring at it as if someone had planted a bomb in your apartment. Fuck it, if that is how you die then so be it, you think in the end and bend down to pick it up. It feels different in your fingers. Sophisticated. Intimate. The envelope is glued closed as if someone licked the glue stripe and the faint smell of well-known cologne lingers on the paper. You open it with shaky fingers.

A letter. It is heavy and folded once. You open it, gasping when three photographs fall out of it and onto the ground. You don’t know what is on them because they landed on their face side. So you read the letter first.

“It has always been mine as well.”

Written in black ink and a familiar handwriting. This is Yoongi’s writing.

With even shakier hands, you pick up the pictures. You feel sick for a moment, gawking at the cruel pictures with your hand thrown over your mouth. The three men who terrorised you. Their mutilated corpses look back at you. He tortured them to death.

You rip the door open, stumbling onto the balcony. You look down at what tripped you. Two bags of your favourite takeout food and a six pack of water. Both clearly fresh. So it was him. Yoongi must be here somewhere. You look into the distance. The night is loud and blurry in a thunderstorm. The streets are empty. The ghost of your past is gone again. You squint your eyes. A person.

“Yoongi!” you call out, unable to realise that you are smiling and waving your hand.

The person moves. Oh. It was just the shadow of a tree. For just a moment you had hoped that the dark shape was him waiting for you. It was just a tree…and you were happy that if could have been Yoongi. The realisation hurts.

“Fuck”, you press out, going back inside. The lump in your throat makes it hard to breathe. You stumble back to bed, halting for a moment when you pass your suitcases.

It has always been mine as well. His words repeat themselves in your head. All this time, you thought that he didn’t care. All this time, you thought that your terror left him cold. Your eyes drift over the empty takeout boxes from the noodle place. You still haven’t cleaned them up. He made sure that you were properly fed for days back then. A glance at the new stuff he got tonight. He is still making sure that you are. Your eyes drift over the package next. He made sure that they stopped getting stolen. You look at the pictures in your hands. He made sure that they would never hurt you again. All this time, you were so blinded by your own anger that you missed how he had always looked out for you. You missed his way of showing you that you were important to him.

It has always been his problem as well.

Something inside you breaks and you scream. You don’t know what you scream for, but you scream. It hurts so much. It hurts so much because you will still leave. He will hurt you again if you stay. All his efforts healed your heart and it hurts so much because you will still leave. You were meant to stay broken hearted. Leaving would have been so easy this way. Now it hurts like a bitch. But you can’t sway. You have to leave this place. It will chew up what little is left of you until you truly cease to exist.

V comes to your place the next day. He rings your doorbell. It wakes you from the uncomfortable sofa you fell asleep on last night. You groan as you sit up and you barely want to open your eyes as you stumble to the door.

You open it without checking the camera first.

“Took you long en- you?”

Jungkook, the young officer, greets you with a smile.

“I swear I’m not stalking you.”

You have a headache today, so it is difficult not to snap at him. He is also not the person you wanted in front of your door today.

“I’m starting to doubt that.”

He laughs, “it’s not that. I talked to my boss. Your friend, the boss of the other boss. Sorry, anyways. I need you to come to the precinct with me.”

“What? Why?”

“Okay so, this is actually so cool and I shouldn’t even be telling you this, but you’re my boss’ friend so I guess it’s okay”, he begins with sparkling eyes, “turns out that the package thief is actually a serial thief and you aren’t the first one he stole from. Isn’t that cool? It’s like in those movies. Those cool cop movies.”

“Really? He stole from more people?” You highly doubt that.

“Yeah”, he laughs as he answers you, nodding his head excitedly, “now we’re calling in everyone who he stole from so we can take their statements. My boss says that we can’t keep the thief locked up for long otherwise.”

You know that this wasn’t really how the law works. After all, you were once a lawyer who was fucking good at her job. Is Yoongi trying to drag you back to him? First he tries to change your mind by killing your bullies and now he is trying to do the final blow by abusing his power as police chief? You check the time. Couldn’t the young officer have come later? You could have had your passport already and be far, far away from this place.

“Can I just give it to you here?” you ask him.

“Mhm”, he tilts his head to the side, “no, I don’t think that it works like this. I’m sorry, Miss. The captain said that it’s important that all the victims come into the precinct.”

You have to give Yoongi that. He is real clever about it. That means however that you can’t escape this situation. Any more resistance from you would make you suspicious.

You give up with a sigh. “Can I just change into something different?”

“Of course, Miss.”

The young officer lets you sit in the passenger seat. He is so new at all of this. With such naivety he tells you his entire life story. That he was from the countryside and that his dream has always been to be a policeman in the city. That he studied hard for years and that he completed his enlistment with honour just so he could be a proper officer. He sounds so proud of himself that each second with him makes you hate his presence more and more. He is so fucking stupid and it angers you. Why would he throw away his life like that? Why someone like him?

You are led to one of the precinct’s interrogation rooms and are told to wait there. The table is decked with different foods.

“What’s all that?” you ask Jungkook.

“Breakfast, Miss.”

“Did your captain tell you to do that?”

“He said that wanted to make sure you get your breakfast because we called you in so early. The captain really cares for the citizens.”

You stifle a scoff. Sure he does.

“Mhm, I see.”

“Either way, it won’t take long”, the young officer bids his goodbyes and leaves you in the interrogation room.

His words were a lie. You wait and wait and wait, but nothing happens. There are no clocks in this godforsaken room, but you still know that it has to be hours. You didn’t want to eat the breakfast at first, glaring at the two-way mirror because in your mind, Yoongi was behind it, watching you and making sure that you ate. You didn’t want to give him the satisfaction at first, but had to in the end. The body begins working against one’s will when it is starving and the breakfast looked way too good. You eat all of it, then glare at the mirror again. You are still left alone and more time passes. It is as if they are trying to wear you down, as if you were the criminal in this situation. Granted, you are a criminal, but only Yoongi knows that and right now you are a poor civilian having done nothing wrong. You know that it’s Yoongi’s doing. That he somehow wants to terrorise you.

So when the door finally opens and he walks into the room, you almost throw the empty bowl at his head.

“Forgive the wait, Miss but something came up”, he says nonchalantly, flicking through some papers.

His second in command Kim Namjoon and the young officer Jeon Jungkook are behind him, which is why he is putting up this act. You grind your teeth.

“I already started to wonder if I’m in danger here”, you say way too sweetly.

“That depends on how you are going to answer our questions”, he says and sits down on the chair in front of you.

Jungkook stays by the door while Kim Namjoon stands a little to your side.

You look around yourself. He is trying to intimidate you.

“What’s that supposed to mean? I thought that I’m here to give my statement because of my stolen packages.”

Yoongi glances up from the papers. This is the first time your eyes meet after your fight and he killed your bullies. If only the others in this room would know how much blood he has on his hands and to which length he is willing to go to protect you. There were times where you would have dragged him over the table and kissed him senseless, but not anymore. You are stronger than your urges, even if it hurts your heart. You can’t give in again. If you do, he will take you for granted again. You won’t be happy with him. You finally have to fucking understand that.

“You’re right. You are here because of that”, he says dryly.

“Good. It started on May sixteen. I came home at around seven ten and noticed that my packages were missing. Two were stolen back then, but in total he stole eight packages”, you say and proceed to tell him the exact dates with the time as well as what was stolen.  

“You seem to know how such hearings work”, he says after he wrote down what you said.

“I had a few hours to practice what I was going to say”, you say with a poisonous smile.

One Yoongi retorts with just as much poison and a deep hum.

“Apologies again.”

“Don’t worry, I know how hard the police works at keeping this honourable city safe.”

He tongues his cheek. You give him a victorious smirk. This cut. Good. He takes a deep breath and releases it through his nose, reaching into his suit pocket to pull out a cigarette. He gets as far as to put it to his lips and then Kim Namjoon already speaks up.

“Captain. Smoking is prohibited in this building.”

“Fuck”, Yoongi presses out and takes the cigarette between two fingers to tap it against the table instead.

“Smoking is bad for you either way”, you say.

He tongues his cheek again. You know that he wants to curse at you right now, but can’t. He has to put up a friendly act.

“I know, can’t shake the habit”, he says and studies your face, “so what now?”

“Sir?” Kim Namjoon is rightfully confused. Yoongi slipped up.

“I don’t know, I was never in such a place before. Do you still need to take my information?” you act oblivious.

“We already have everything.”

“Great. Then I can go?” you ask, fluttering your lashes innocently.

“I don’t know yet.”

“Sir?” “What? Why?”

Yoongi shifts in his chair until he manspreads like an idiot. He crosses his arms in front of his chest.

“What are you going to do now?” he asks you.

“Uhm…is this still part of my hearing?” you ask, glancing at Kim Namjoon.

“No of course not, Miss. Please, follow me.”

“Sit. Down.”

The room is silent for a moment. You glare at Yoongi while Namjoon and Jungkook gawk in complete confusion. Their captain acts out of character. There is no reason to keep the innocent lady here any longer. This isn’t like him at all. He has been fidgeting all day, barely drank his coffee, went for far too many smoke breaks and now this. The officers have no explanation for their captain’s sudden behaviour.

“What is the reason for this?” you ask him.

“Just safety precautions. We wouldn’t want our honest citizen to get into danger”, he says coldly, “now answer my question. What are your plans now, Miss?”

“I will go home.”

“Where is that home?”

“Sir, I don’t know if that is necessary.”

“Shut up, Kim.”

Namjoon gulps, exchanging a confused look with Jeon Jungkook. This is really not like their captain.

Yoongi straightens up and leans forward so he is closer to you.

“Where is that home, Miss?”

You lower your eyes in anger.

“I don’t know yet, I’m planning to leave this city.”

“What?” his voice shook as he spoke. His fingers close and break the cigarette that way. His eyes almost bore holes into yours from how deeply he stares into them.

“This city’s become too depressing for me. I plan on leaving it for good.”

“You don’t mean that.”

“Yes, I do. There is nothing holding me here anymore.”

“Yes, there is.”

“No, there really isn’t. I will leave.”

Bang!

You flinched back. Namjoon and Jungkook tense up as well.

Yoongi slammed his hand on the table, jumping to his feet.

“No the fuck you won’t!” he yells.

“Sir? What are you doing?!”

“Excuse me? It’s my right as an honest citizen to move”, you act oblivious as well.

“Keep her here”, he talks to Jungkook, pointing at him, “lock her up and keep her here.”

“Under what pretence, Sir?” the young officer asks with widened eyes.

“I, I, I don’t know. Refusal to, to, to cooperate or some shit like that”, Yoongi never stutters and he never paces, but he is currently doing both of those things.

“Sir…is…this legal?” Jungkook asks shyly.

Yoongi is by Jungkook’s side within a few steps, grabbing him by the collar.

“Do as you are told, Jeon! Unless you want to lose this job!” Yoongi growls, making Jungkook whimper with fear.

“Captain Min, you are stepping out of place”, Kim Namjoon speaks up, dragging him away from Jungkook, “and get off this poor officer’s neck. He is just doing his job.”

Yoongi whips around, now targeting his anger at Namjoon.

“If he was doing his fucking job, he would lock her up”, he hisses, pointing at you.

“I need you to step out for a moment, Captain”, Namjoon says and gestures Jungkook to open the door. The young officer obeys, holding it open as Namjoon shoves a protesting Yoongi out of the room. He closes the door again, muting the vivid fighting Yoongi was doing with Namjoon outside.

He meets your eyes, smiling awkwardly.

“Please forgive the Captain, Miss. He is very concerned about his citizens’ safety.” He is a terrible liar, but you don’t blame him. If you were in his situation, you would have no idea how to explain such a situation to a supposed innocent citizen either.

“Don’t worry. I, I’m just wondering if maybe I can finally leave? I’m sorry, this just really scared me and I just want to lie down at home now”, you act shaken up, looking at the young officer with pleading eyes. 

“Of course, Miss. Our honest apologies again, Miss. Please follow me”, he says and leads you out of the room.

Yoongi and Namjoon are still arguing, but stop when they see you come out. You lock eyes with Yoongi for the briefest of moments. 

He closes the distance and grabs your wrist, dragging you with him with such vigour that nobody truly gets time to act. Not even you know what was happening to you until you find yourself in his office with the door slammed shut. 

“What are you doing?” you gasp.

“Shut the fuck up, you’re not the one asking this question right now!”

“Yoongi, lower your voice. This isn’t the place for screams.”

He steps closer to you, pointing at your face in warning.

“I have every fucking right to scream right now and you know that”, he presses out through gritted teeth.

“Why? Because I finally don’t need you anymore?”

“You can’t move. What the fuck are you thinking?”

“I’m-”

‘I'm not done”, he interrupts you, “I killed them for you. I did it. Just for you. Because your safety matters to me. I care.” He hits his own chest. “I showed you that I care and you’re gonna leave?”

You hate that you love him, but not for the usual reasons. You hate it because it hurts. You are going to leave despite not wanting to. You love him, perhaps you always will but you are also going to leave. 

You nod your head.

Yoongi exhales shakily, taking a stumbling step back. He stares at you as if you were the ghost whose haunting hurts him the most. He huffs out air, rubs his hand over his mouth, then runs it through his hair and down the side of his neck.

“I’ll kill the thief”, he says in the end.

“What?” 

“I'll make it seem like suicide. He’ll look like a pisser who couldn’t take prison and killed himself.”

“Are you out of your mind? He’s just a thief.”

“Well, what more do you need?!” he screams

“Nothing! I don’t need anything from you!”

“Why not? I can give you whatever you want!”

“Look at you. Now that you finally realised, I’m actually serious about the breakup, you wanna act like you care.”

“I care”, his voice broke, but you are both too angry to acknowledge it, “i-i-if I knew that you- I just-” He breathes in, breathes out, rubs his mouth, then his neck. “It can’t end like this. It can’t.”

“It can. I’m done begging you for everything.”

Yoongi steps closer.

“I can-”

“Sir? What is the meaning of this?” 

Kim Namjoon and Jeon Jungkook are in the office. The rest of the precinct gawks at you and Yoongi through the doorway. The latter lifts his hands and steps back. His fingers are shaking. 

“The captain just voiced his worries for my move. Don’t worry about it, Kim Sir”, you lie and turn to leave, “may I finally leave?”

Namjoon tells Jungkook to handle it with a nod of his head. The young officer points at the open door.

“Please after you, Miss.”

Yoongi says your name. 

You look at him over your shoulder, despite knowing you shouldn’t. He takes a step closer, lifting his brows in pleading. Don’t give in. Don’t give in. Don’t give in. You ball your hands to fists and turn your back to him.

Yoongi tries your name again, hoping for another look. One which doesn’t come. 

“Come back”, he tries, but gets stopped by Namjoon.

You can hear them talk as you leave.

“What the fuck’s your issue, man? You’ve been weird all day and now you’re screaming at citizens?”

“Watch your tone.”

“Hyung, I’m not here as your colleague right now. I’m here as your friend.”

“She’s gonna leave, she can’t…”

Jungkook leads you away from the office before you can hear Yoongi’s full answer. 

“Are you crying, Miss??”

“Hm? Oh that, don’t mind them. It’s just…” Your heart is broken and you want to run back to Yoongi. “...forgive me, I’m just a little shaken from everything.”

“I’m sorry, Miss. The captain isn’t normally like this.”

“It’s alright. I know how Yoongi can be sometimes.”

“Yoongi?” Jungkook asks, glancing at the captain’s office. He wonders what kind of friends you and he are. Maybe Those kind of friends? Is that why you are important to the captain? 

“I mean…sorry, I don’t know why I said that. I just wish to go home now.”

“Of course, Miss.”

“Oh god, I don’t even have money for a bus ticket with me”, you murmur to yourself, looking for your wallet. This is all a scheme to get Jungkook to drive you home again. You are worried that if he didn’t, Yoongi would somehow get to you before you could reach the station.

“Don’t worry about it, Miss. As a policeman, it is my duty to make sure that you get home safely.”

“Really? I wouldn’t want to waste your time.”

“Of course, Miss.”

And so he takes you home and you hate yourself because of it. So it began. You were the first person who used his kindness to her advantage. You were the drop beginning the inevitable filling of the tank until one day it will swap over. And once that happens, it is almost impossible to stop the leak. Fuck, you are just as terrible as everyone else in this city.

But the young officer is oblivious to what you just did, driving you home with a kind smile on his face. He even walks you to your door and stays as you unlock it. Your neighbours are fucking again. He glances at their door, then awkwardly at you.

“Yeah, I’ve got new neighbours. You can’t go over there and flash your badge and tell them to shut up, can you?”

“Of course I can, Miss. Just one mom-”

“No stop, I was joking”, you stop him, studying him with exhausted eyes. You are so sorry. You are so fucking sorry.

“Ah, okay. Please forgive me, I always take everything way too seriously”, he says, scratching his own neck shyly. He furrows his brows. “What’s the matter, Miss?”

“Can I tell you something?”

“Of course, Miss.”

“Run.”

“What?”

“Run back to your hometown. Run and never look back.”

“Excuse me?” he laughs in confusion, furrowing his brows harder.

“You’re a good person, Jeon Jungkook. This city will fucking ruin you.”

“I…uh…” He laughs nervously. “I don’t seem to follow, Miss. Sorry.”

“You don’t need to get it, just listen to me. Please.”

“O…kay? I uhm…”

“Thank you for driving me home. I’ll think of you sometimes in my new home.”

“Miss, are you okay?”

“I am. You don’t need to worry about me anymore. Just promise me to run.”

“I promise?”

“Good. Be happy, Jeon Jungkook.”

“Miss, I-”

You close the door on him and lock it. You don’t expect him to knock or ring the bell. He is too proper to annoy you this way. You check the camera. He stares at the closed door for a few moments longer, looking confused. He lifts his hand to knock, hesitates and turns his back to the door instead, leaving down the steps to drive off. You know that you confused him, but you had to. Please let it be enough to save him.

V arrives later that day. He is stressed and clearly in a hurry.

“What’s wrong? You look like you need to be somewhere or like you need to shit. Do you need to shit?”

“What? No”, he sounds out of breath as well as annoyed, “I’m risking my ass being here. I’ve got your stuff. It’s the only thing except mine that I managed to save. Give me the money, quick.”

“Save?” you probe, giving him the money.

He stuffs it into his boxers hastily, looking over his shoulder again.

“My place got raided by cops. I was at the market getting food, then came back to five cop cars in front of my place. I barely escaped. If I didn’t always carry my stuff with me, I’d have been fucked.”

“What?!”

“Sorry, Hyacinth. Gotta leave the city for a while. I wish you all the best.”

“V, what the fuck?”

“Here’s to never seeing each other again, aye?” he jokes, laughing nervously. It’s a good thing he said. Never seeing each other again meant that you and he managed to escape safely.

“Wait. Where will you go?”

“I can’t tell you. You know I can’t.”

“Yeah, just…be careful.”

“You too.”

He leaves and you know that he will be successful. If there is one person who won’t ever be found it is V. 

You are in a trance for the rest of the day. Yoongi raided V’s place. He went as far as to betray his own people just to make sure that you wouldn’t leave. Carrying your new passport feels like a trophy, as much as it feels like a curse. Leaving this city won’t be as easy anymore now that he knows. You are so fucking stupid for telling him, but you didn’t want to miss out on his reaction when he found out. The small moment of satisfaction seems skippable now that you know how far he is willing to go to keep you close. And because V came as late as he did, your means of escape don’t drive anymore either. You have to wait for the earliest bus if you wanted to or not. Fuck, you did this to yourself. You stupid fucking woman. Look at you. You have this big, honourable degree and still manage to get yourself into shitty situations over and over again.

You go to sleep with a gun under your pillow. You won’t risk anything.

You don’t get a lot of sleep and then a noise wakes you. You heard it as clear as day. Someone unlocked your front door. He sent men to get you. Now he’s gone too far. You jump out of bed and grab your loaded gun, tiptoeing to a spot from where you could observe the apartment. You have to be strategic about it. First count the men, then calculate the fastest way to shoot them, then act. The door closes and locks again. Clever bastards, they want to make sure that you don’t flee. Oh, you are going to have a blast killing them. One last little thing to leave Yoongi before you abandon him.

The automatic lights turn on. Got you, assholes.

The first enters your vision.

“Hm?”

Yoongi. Clearly drunk, he is dragging his feet over the floor, using the wall as support. No one else follows him. So he came here alone. 

Overtaken by anger, you jump out of hiding and at him.

Yoongi collides with the wall, feeling the cold nuzzle of the gun press against his chin. He drops the keys and flowers he was carrying, lifting his hands in defeat.

“Careful, it’s just me”, he lulls.

“Get the fuck out of my house”, you spit, carrying murder in your eyes. 

“I can’t believe you’re still hiding your keys under the flower pot. Don’t make me so worried, anyone could enter.”

“I’m gonna count to three and if you haven’t disappeared by then, I’ll shoot.”

“Can we talk?”

“One.”

“I know I fucked up. I can’t stop thinking about you. Please, can we try again?”

“Two.”

“I promise I changed. You were right, I was a joke. But I wanna do better now.”

“Three.” “I’m sorry!”

Yoongi squeezes his eyes shut. His death never comes. He peels his eyes open again.

You are staring, panting heavily. Tears are in your eyes.

“I’m sorry”, he whispers.

This is the first time he is the one to say these words first. It feels so good, but you can’t give in again. You made up your mind to leave…didn’t you? You study the state of him. He is heavily intoxicated. He looks the way and reeks of it.

“You’re drunk.” 

He nods his head, furrowing his brows. He touches your elbows, caressing them softly. Such touch you only get when he is drunk.

“I drank because of you. What you said today. I just…don’t move away, please”, he begs, eyes filling with tears.

“So now you care? I wasn’t important to you when I was with you and now that I’m leaving, I’m suddenly important?”

“You’ve always been important.”

“No, I haven’t. You took me for granted.”

“I did and I’m sorry. I never should have taken you for granted. I’ll do better now, please just give me a chance to prove it to you.”

“If I give you a chance again, you’ll just abuse it and hurt me.”

“No, I won’t. Please, I just.” He cups your face, running his thumbs under your eyes as gently as possible. “We were right once. We were so good together. We were a team and, and we had dreams and we made each other happy. I want this back, I wanna try to get this back again please.”

“I just want to be happy, Yoongi”, you press out.

“I’ll make you happy, baby. Please, I-I’ll make you happy again.”

“No, you’re drunk and talking fucking shit.”

“I’ll leave this city if you want me to.”

You falter. He would give up what he built just for you?

“You wouldn’t do that.”

“I would. For you I would. I’d set this whole city on fire and leave with you as it burns to fucking ashes behind us, please.”

“You don’t mean that.”

“Please”, he whispers and drops his forehead against yours, “please, I want to make you happy again.”

You hate that you love him. You hate that he made you addicted to him. This is so awfully him. He gives you enough affection that you get addicted to it then takes it away again. And once he feeds it to you again, you drink it up like an alcoholic. It is always the same. 

“No, you won’t. You’re drunk.”

“Please.”

“Leave my place.”

He presses himself off the wall and grabs the nuzzle of the gun, guiding it right between his brows.

“You have to kill me if you want me gone.”

You gulp. He forces your finger to the trigger. Your airways close up.

“Kill me. Fucking kill me. I can’t live without you anyways.”

You could end it. You’ve got everything. Your suitcases, your papers, the keys of his car he drunkenly drove like an asshole. You’ve got everything you need to escape this place. You could end it, finally make sure that you have no temptation to return. You could end him and your addiction with it. He’s got your finger on the trigger, it needs just one flex and it would be over. But you never wanted him dead. No matter how much you wished for him to be gone, you never wanted him dead. Because in some fucked up way, all you really wanted was for him to put more effort into you.

“No”, you whimper, shaking your head. 

He rips the gun from your fingers and drops it on your dresser. 

“I don’t want to kill you”, you press out, sobbing softly. 

He cradles your face, wiping your tears. 

“I know”, he gets out, nodding his head, “I know you don’t, princess. I know.”

“Yoongi”, you squeak out, twisting his shirt. 

“I’m here, princess. I’m here.”

He pulls you closer until his kiss is just one breath away, feeding on the shaky breath you let ghost against his lips. His drunken eyes gaze at your mouth, his heart is racing in his chest.

“Push me away”, he tells you.

“I hate you.”

“And I love you.”

“Yoongi”, you whimper, finally touching his chest instead of his shirt. 

He moans and pulls you into a kiss. A deep, hungry kiss. 

You pull at his hair to get him off of you as much as you pull him closer, fighting for air. You hate that you love…do you really? Do you really fucking hate it? Do you really hate it when his kiss makes you feel alive again? You spent months feeling out of breath and now it’s gone. You can breathe again. At least metaphorically, physically he’s got you very close to passing out. You push at him to get distance. Air. He lets you breathe, but not escape. He pushes you to your sofa until your legs collide with the back of it. Your shaky breaths intermingle, your shared moans follow. His right hand slides to your ass, his knee lifts to your middle. 

You gasp, grinding down on him. You can’t protest because he kisses you so deeply it feels as if he wanted to consume your soul. He kisses and gropes, kisses and gropes until air is sparse. He gasps.

“Fuck. Fuck, I’m fucked”, he gets out and pulls your head back so he could drag his tongue up your throat. 

It should disgust you, but it doesn’t. You moan, running your nails down his chest and arching your back. He lifts his head, looking at you with drunken, crazed obsession. His fingers just can’t stay still on your body. It is as if he wanted to touch everywhere at all times. The attention makes you short of breath.

“You’re so fucking beautiful.”

You touch his cheek. He leans into your palm, closing his eyes when you trace his scar. You were with him when he got it. It was during a fight. He fought with his fists, his opponent chose the cowardly way and pulled a knife on him. He was lucky that he didn’t lose his eyesight. He hated it at first, but you made him feel handsome. You always looked out for him that way.

“Do you…do you think I’m handsome?” he asks. Such questions you only get when he’s drunk. 

“I do.”

His breath trembles as it leaves him. He drops his hand from your hips to take out his cock. He touches himself, gazing at you as if he needed the view of you to stay hard. And he does. He needs you. You are the only person who can turn him on.

You look at what his hand is doing, gulping heavily. He sighs, gazing at your face. You are as mesmerised by him as you were when everything was still good between you and him. His cock still has the same effect on you.

“Princess?” he tilts your head back up to meet your eyes, using only two fingers under your chin for it. 

You meet his eyes, heart racing unbearably.

“Yes?” One little lift of his brows and you give him the answer he craved. 

You part your legs, tilting your hips closer to him. You nod your head vigorously, gazing at his cock again.

He doesn’t bother to pull his pants down all the way, neither does he care about taking off your panties. He pushes them to the side and stuffs you full of him, gripping the edge of the couch and your right thigh as deep moans leave him. Your right leg is lifted like this, supported by him.

You gasp, tensing up. Your toes curl instantly, your fingers clutch his lower arms. His cock stretches you out and stuffs your walls. It’s not uncomfortable, but it is definitely intense. You gasp again, looking at him with widened eyes.

“I know baby, I know”, he breathes and bottoms out. “It’s been too long. Fuck.” 

He moves, chasing your warmth in drunk, sloppy thrusts. You writhe and gasp repeatedly, scratching the back of his neck. You want to hate that you love him. He should feel like an intruder. You should want to kick and scream for help. But you don’t want to. You feel whole again. No preparation, but he doesn’t hurt. His kiss and touch was enough. Your addiction to him runs so deep that his cock is pure heroin to you.

“Yoongi”, you get out, grabbing his throat. Your thumbs are on his Adam’s apple, threatening to press down.

He smiles, “I love you”, he gasps out and drops his head against yours. His long hair tickles your face, his drunken breath swirls over your skin. He gulps and moans under your fingers, pumping into you with no signs of slowing down. You start losing strength in your calf, standing like this is exhausting, but if you were being honest, you don’t want it to stop. 

“I hate you.”

“Fucking kill me then”, he rasps.

You close your fingers slightly.

“Harder. This isn’t gonna do it.”

“You first.”

“Fuck, baby”, he gets out and lifts you so he could round the sofa with you. He pins you down into the pillows, ripping the panties off of you and kicking his pants off. He pushes into you before you can truly realise what was happening, feeding you all of him until he can’t give any more. He twists the pillow next to your head as he takes on a punishing rhythm. His dark hair hangs into his face, his teeth are bared as he huffs like an angry animal.

“Yoon-”

“I know, baby I know. You already told me, baby. I know”, he whispers, wiping your cheek, “take me, I know you can. You’re my baby, you’re made for me.”

His praise is like medicine to you. This is all you needed. To know that he is still obsessed with you and that you still affect him. 

You close your legs around his hips, keeping him with you this way. You need him to always stay like this. He moans your name, slipping his fingers from your cheek to hold the pillow instead. You told him that you hated him, but your body betrays you. Your eyes betray you. You keep him close, gaze at him as if he was your everything. Yoongi’s head is turning. Not only from the alcohol, but also from being with you again. And from knowing that you still loved him.

Because he loves you so much. He hates himself for taking you for granted. He never should have. You are his everything. The fucking reason why he does all of this. The last three months were torture for him. He started smoking again, drank too much, slept too little, worked too many hours. And if he didn't distract himself with work, he tried thinking up ways of showing you that he was still there for you. He ordered his officers to look out for you, sent food deliveries to your place, parked in front of your place somewhere hidden to watch you smoke on the staircase. He also followed you sometimes after you confessed to him that some of his goons were terrorising you. And each time he followed you, he wished for you to notice him just so he could get a chance at talking to you again. But you never did and Yoongi thought that you will come back again soon. Then you told him that you would move and Yoongi finally broke. He was truly losing you. Three months of hell, of lonely nights and heartbreak and he was truly losing you. 

“I missed you”, he gets out, painting his name against your favourite spots. The eagerness with which you clasp him results in your hips to lift off the pillow, allowing your clit to grind against him each time he bottoms out. The necklaces he is wearing are tangling over your face. They were too long once, but Yoongi cut them to the perfect length so they wouldn't hit your face when you are underneath him. That was six months ago. During a time you thought he didn’t care anymore. You feel so stupid now. His way of showing you that he cared was always there. He was always looking out for you. You were just too blind to see. 

You gasp and whimper, mewl and keen, looking up at him with teary eyes and your fingers closing around nothing. You can’t tell him that you missed him too because you are too overwhelmed. 

“Did you miss me too?” but Yoongi is drunk tonight and when he is drunk he is needy for your affection. 

You nod your head. 

“Say it.”

“I missed you”, you get out, following it up with a sob. 

“Baby, I love you”, he croaks, wiping your tears before dropping his forehead against yours, “I love you, baby, I love you. Don’t leave me again, please.”

“You’re so drunk.”

“Yeah, drunk ‘cause of you. Thought I’ll lose you. Baby, I can’t lose you”, he croaks and shows you his honesty with passionate rolls of his hips. Somehow he goes even deeper than before, he hits your favourite spots even better. 

You arch your back and scream his name, throwing your head back as best as possible. This is electric. Holy shit, he makes you feel good. Your face scrunches up against your will, your feet shake on his back. 

Yoongi admires you with a pounding head and racing heart, repeating what he did before over and over and over again. You react in mewls and moans and screams and he can’t get enough of it. He wants for you to lose your fucking voice because you couldn’t stop screaming for him. Because if you sound like this for him, he makes you happy. It has been too long since you actually screamed this way, so Yoongi is especially affected by tonight.

He laces his fingers with yours – again, he is drunk – and squeezes them needily. He thinks that he is crying too. He watches pearls of something drip onto your face sometimes. His eyes also burn. He doesn’t want it to stop. He is willing to carry his emotions on his sleeve if it meant you were happy again.

“Is this what you needed? Does this finally make you fucking happy?” he gets out, chasing the ecstasy as much as he helps you with your own pleasure trip.

You squeeze his hands back, making him moan your name.

“Ye-yes.”

“Argh”, he growls, trying so much harder to fuck you right. It feels so good. He has to tell you. He stayed silent way too often in the past. You want his efforts and he wants to give them to you. “You feel so good.”

The first confession was hard because he isn’t used to sharing his feelings. It was hard, but it was also ecstatic because your sounds of pleasure became louder and you tightened around him, squeezing his hands happily. 

“You feel so good. You feel so fucking good. You feel so good, princess. You feel…so good”, he can’t stop now that he started, telling you over and over and over again how you make him feel. Good. So good. He feels so good when he is with you. “You are so good. Princess, fuck. I have to..I, I have to- ah!” 

You open your eyes in time with Yoongi collapsing on top of you. He whimpers into the crook of your neck, shaking almost pathetically.

There are two things you always believed to be true about Yoongi. First: When he fucks, his moans are always deep, raspy and growly. Second: He has perfect control over his orgasms. 

Both of these things are getting proven wrong to you right here and now as he whimpers and shakes and paints your walls with his unexpected orgasm. You want to blame the alcohol on it and maybe the months of abstinence, perhaps even the fear of losing you paired with the relief of having you again. Holy fuck, he actually loves you doesn’t he?

“I love you”,  he sobs, hugging you close. 

“Yoongi ah”, he breaks you with his confession and the tenderness with which he holds you. You swear that you can taste colours for a moment. You haven’t felt honestly good in your own skin in months. This right here is what feeling good is. This is it. 

You don’t know who comes down first. You think it is Yoongi, but even if he does, he doesn’t pull out. He lets you shake and throb and clench around him until your moment of peak pleasure is over as well. He holds you silently afterwards, catching his breath in the crook of your neck. He missed your scent like nothing else. Truly, it leaves him so drugged out that he actually finds himself drooling as he smiles like a giddy boy. 

You calm down with his weight atop your chest, his length still inside you and his hair between your fingers. It is still a little stiff and crusty from the variety of hair products he keeps in it during his day job. To think that mere hours ago, you were screaming at each other in his office. It feels so far away to you now. Like a memory of an unbelievable life.

You don’t hate that you love him. You really don’t. 

“How.” He clears his throat. “How are you feeling?”

“Good.”

“Are you sore? Does anything hurt?”

“No, but I’m leaking.”

“Fuck”, he laughs into your shoulder, nibbling on it gently, “sorry, I just…am drunk and missed you.”

“You were pathetic doing that.”

He laughs harder. You and he have a peculiar sense of humour. He knows that you meant it fondly. You laugh as well. He lifts his head at the sound of it, cupping your cheek. 

“If it means you’re laughing, I can live with being pathetic.”

Your heart flutters.

“What’s gotten into you?”

“Booze. Way too much booze.”

You laugh again. His eyes soften, he caresses your face. 

“Definitely too much booze, yeah”, you agree.

“Mhm, fuck.” He cuddles into your shoulder again. “I’m sleeping here.”

“And you think I’d let you?”

He nods his head.

“Fuck, you’re the worst.”

“Am I wrong?”

“No, you’re not.”

You wake up alone the next morning. It hurts. So nothing changed. He got what he wanted, made you addicted again only to leave. Like he always did. And you are left feeling dirty and used and fucking awful. 

You probably would have stayed in bed to cry the entire day if a very worrying noise hadn’t come from outside your door. Someone’s in your kitchen. You roll out of bed and leave the room. You don’t need weapons today. You are angry enough that you will probably be able to beat whoever is dumb enough to break in. 

You cross the corner and stop, lowering your fists.

Yoongi. 

He took a shower and tied all of his wet hair into a messy bun. He is shirtless, wearing a towel around his hips. Music is playing from his phone while on the stove, breakfast is sizzling. 

“You?”

He turns at the sound of your voice, face lighting up instantly. 

“Good morning, beautiful”, he says, closing the distance to take you into a hug. “Did you sleep well?”

You don’t answer him, you push at his chest so you could look at him. You can’t believe that he is still here and that he is making you breakfast.

“What’s the matter?” he asks. 

“Why the fuck are you still here?”

He furrows his brows, “why not?”

“I, I don’t know. I just, just. I thought that…huh? You didn’t leave?”

He frowns in regret for a moment, before leaning in to kiss your cheek. He gives your left buttock an almost playful squeeze afterwards, stepping back to return to the cooking.

“I’m making your favourite. I also cleaned. Your place was a shithole, honestly.”

Still flabbergasted beyond relief, you look around your small apartment. He didn’t just clean up the garbage and tidy, he fully wiped the place down. You check the clock next. It’s way past one at noon. You slept for more than twelve hours. Damn. You never even realised how much sleep these last three months took from you until you finally fell asleep in his arms again and actually stayed asleep. You feel refreshed and not uncomfortable in your own skin. 

Last, you look at Yoongi. He is humming to the music, switching between stirring the eggs in the pan and chopping up some pork belly. 

At first you don’t want to accept that this is actually happening to you, but then the desire to be close to him gets too grande to bear. You almost run to him, colliding with his back in a passionate hug. 

He stumbles and grunts, following it up with a fond chuckle and his big hands rubbing your lower arms. 

“Please don’t make me regret this again. Please.”

He turns in your arms, caressing your waist. He shakes his head, looking at you in ways he hasn’t looked at you in ages. As if he honestly loved you. 

“Can you promise me?”

“I promise you, baby”, he says in a soft voice and locks pinkies with you. 

The gesture is so cute and honest, that you have to stifle a giggle. Your heart hasn’t fluttered like this in ages.

“I have an idea. How about I’ll take next week off and we’re leaving this city for a while? Maybe the mountains? You’d like the air there”, he suggests. 

“Are you serious? Do you actually mean that?”

He nods his head. You and he began swaying to the music, looking at nothing else but the other. 

“But first I gotta sort out the mess I made when I busted V’s place”, he says.

“Yeah true.” You slap his chest. “Fuck you for that. He didn’t do anything wrong.”

“I know, I know. I acted irrationally, I admit. But I’m gonna fix this. You know how easily I can make stuff disappear. He’ll be able to return again in a week or so.”

“I hope you’ll fix this, you idiot you.”

“Mhm, I will and then I’m taking you on a long vacation”, he says, kissing your forehead before hugging you against his chest.

You close your eyes, melting into his chest. 

“And when we’re there, I’m gonna make you breakfast and make you cum and make you smile. Yeah?” he whispers.

“Yeah”, you snicker.

He smells like your shower gel today, but you don’t mind. He hasn’t shown such an actual desire to change in months and it feels so good to receive. You love that you love him. You really do. 

“I love you, Yoongi”, you whisper, feeling him squeeze you for just a moment as your confession overwhelms him. 

“I love you too, princess”, he tells you and he is sober for it because he swore to himself that he won’t need alcohol anymore to be able to show you his affection. 

He is willing to better himself, he truly is and a week later, you and he are in his car on your way to a long vacation in the mountains.

[nostalgebraist]

In other uncanny-valley AI voice news...

Google has this new thing called "NotebookLM," which allows you to upload any document, click a button, and then a few minutes later receive an entire AI-generated podcast episode (!) about the document. The generation seems to occur somewhat faster than real-time.

(This is currently offered for free as a demo, all you need is a Google account.)

These podcast episodes are... they're not, uh, good. In fact, they're terrible – so cringe-y and inane that I find them painful to listen to.

But – unlike with the "AI-generated content" of even the very recent past – the problem with this stuff isn't that it's unrealistic. It's perfectly realistic. The podcasters sound like real people! Everything they say is perfectly coherent! It's just coherently ... bad.

It's a perfect imitation of superficial, formulaic, cringe-y media commentary podcasts. The content isn't good, but it's a type of bad content that exists, and the AI mimics it expertly.

The badness is authentic. The dumb shit they say is exactly the sort of dumb shit that humans would say on this sort of podcast, and they say it with the exact sorts of inflections that people would use when saying that dumb shit on that sort of podcast, and... and everything.

(Advanced Voice Mode feels a lot like this too. And – much as with Advanced Voice Mode – if Google can do this, then they can presumably do lots of things that are more interesting and artistically impressive.

But even if no one especially likes this kind of slop, it's highly inoffensive – palatable to everyone, not likely to confuse anyone or piss anyone off – and so it's what we get, for now, while these companies are still cautiously testing the waters.)

----

Anyway.

The first thing I tried was my novel Almost Nowhere, as a PDF file.

This seemed to throw the whole "NotebookLM" system for a loop, to some extent because it's a confusing book (even to humans), but also to some extent because it's very long.

I saw several different "NotebookLM" features spit out different attempts to summarize/describe it that seemed to be working off of different subsets of the text.

In the case of the generated podcast, the podcasters appear to have only "seen" the first 8 (?) chapters.

And their discussion of those early chapters is... like I said, pretty bad. They get some basic things wrong, and the commentary is painfully basic even when it's not actually inaccurate. But it's still uncanny that something like this is possible.

(Spoilers for the first ~8 chapters of Almost Nowhere)

The second thing I tried was my previous novel, The Northern Caves.

The Northern Caves is a much shorter book, and there were no length-related issues this time.

It's also a book that uses a found-media format and includes a fictitious podcast transcript.

And, possibly because of this, NotebookLM "decided" to generate a podcast that treated the story and characters as though they existed in the real world – effectively, creating fanfiction as opposed to commentary!

(Spoilers for The Northern Caves.)

----

Related links:

I tried OpenAI's Advanced Voice Mode ChatGPT feature and wrote a post about my experiences

I asked NotebookLM to make a podcast about my Advanced Voice Mode post, with surreal results

Tumblr user ralfmaximus takes this to the limit, creating NotebookLM podcast about the very post you're reading now

[kianamaiart]

Hello your magical girl story looks really intriguing, the premise feels very creative, the art style is simple but good with its own identity, and the characters seem to be fleshed out with depth, personality, and backstory. In short, I love it, and I do have a few questions.

One: Is the story character driven, story driven, or something else

Two: Is the story rated G, PG, PG-13, or something else

Three: Would the story be a web comic, web show, or something else

Four: Will there be a lot of lore and world building, yes or no

Five: what other inspirations did you have for the story's characters, plot, and art style

Six: What humor do you use for the story

I'm only asking these questions out of curiosity. This is just because I love your story, and would like to know more about.

So please be free to not answer all the questions if you want. I'm also fine if you ignore this ask. so please, no pressure.

At the end of the day, please have fun, relax, work hard, take your time, and have a nice day.

I'm so glad! Thanks so much for your interest <3

Character driven (always)

PG/PG-13

Dunno! I've been reached out to already for a few opportunities but right now, I'm just trying to have fun with it and keep it mine until I feel like the idea is fully realized and ready for something bigger. Right now, I'm shooting to make a lil pilot animatic mostly on my own with help from a few friends

Depends on what you mean by a lot but I'd say a soft yes

For Aika, just generally other anime protagonists from shoujo and shonen. I feel like when you're doing a spin on something you do have to rely on the tropes from the genre at least a little bit. For Zira, Toko Fukawa was the jumping off point but they're very different. They're also both based off of aspects of myself (I feel like most artists do this with their ocs tho). Style and story-wise, I was definitely looking at Doremi and Panty&Stocking. That chunky cute look that's distinctly anime but takes some notes from Western cartoons. But mine's flipped where it's more based on my own style from working in Western animation but then having anime influence. And story-wise I like how they're more episodic with an underlying story. The magical girl stuff is more a backdrop that helps the story move forward and enhances the slice of life stuff that's being focused on.

I'm not sure what kind of humor to say other than my own? But my sense of humor has been shaped by Big City Greens (obviously) Adventure Time, Jimmy Neutron, Bob's Burgers, Smiling Friends and many other things but hopefully that gives you the gist

[drchucktingle]

Hello Dr Tingle! I wanted to ask you about that re: your post about how all your books are serious literature (hell yeah Love is real). How do you personally deal with the whole traditional publishing institution? It attracts a whole different level of coverage and it seems that they're very quick to try and box you and like turn you into a brand. Is it stiffling? Is it freeing? Does the attention help more people understand your trot? I don't know I've never been published but since you have experience in both traditional and self publishing I'm interested in knowing how that's feeling for you

well this is a pretty complex question with lots of different trots but i will try my best to answer. lets start with WHO I AM as buckaroo name of chuck

what i create has a very strong voice and my way is pretty recognizable. while buckaroos do not know what most authors look like, i REALLY stand out in a dang crowd with a big pink bag on my head. if you see 50 random author photos and mine is mixed in and then you ask 'which photo do you remember the most?' it is probably gonna be chuck. i also have a VERY UNIQUE STORY with what i create and my artistic sensibilities, not a lot of buds are out there making trans mothman erotica along with their big five traditional publishing bestsellers (SIDENOTE preorder BURY YOUR GAYS)

now if you were going to take 'CHUCK TINGLE' to a marketing department they would FALL OVER BACKWARDS IN THEIR DANG CHAIR with excitement. it is hard to think of an author with a stronger BRAND than i already have in the sense of 'instantly recognizable trot and specific unique style'. even in answering this you can tell that i dont even TALK like other dang authors.

what i am getting at is this: i am VERY VERY LUCKY because my existence just so happens to equate to what a company would see as GOOD BRANDING. it is not intentional on my part, it is just the hand of fate i guess. im out here expressing myself in a FULL ON WAY that is PRETTY DANG STRANGE TO SOME and it just so happens to work as mainstream branding too

on paper you might think 'what the heck no way chuck tingle will fly as a mainstream trot' but honestly the main thread of this timeline can be surprising sometimes. ive been saying the key ingredient for years and i will say it again: LOVE AND SINCERITY RESONATE. when you make art with this fuel, the timeline will feel it. when you stand up tall and shout with your whole chest THIS IS MY WAY AND I LOVE MYSELF. I AM THE WORLDS GREATEST AUTHOR TAKE IT OR LEAVE IT, the timeline will listen

so all that said, i do not mind the idea of myself as 'brand' because i am not CHANGING myself to create this effect. what some might see as 'brand' i just see as another part of my art. i have always believed that art is THE WHOLE EXPERIENCE not just the painting but what is outside of the frame. WHO I AM is just as important as the books i write, and interacting with my way is a whole MULTIMEDIA experience that INCLUDES YOU TOO. it is the feeling when your friend shows you your first tingler cover, or the feeling when you realize that i am not playing a character. this is ALL a part of the tingleverse and it is all a part of my honest raw expression as a queer and neurodivergent buckaroo.

YOU ARE PART OF THIS ART TOO

it is my nature of have a PUNK ROCK trot. always has been. but to me that does not mean just angrily going against everything for the sake of going against everything. for me, this punk rock trot means fighting to EXPRESS MYSELF IN THE MOST HONEST AND PURE FORM POSSIBLE and to create the art that i want to make without any boundaries

somehow i have threaded the needle in this really interesting once-in-a-dang-lifetime kind of way. my pure punk rock self as an OUTERSIDER ARTIST just so happens to resonate with this larger system of brand and traditional publishing and popular culture. i COULD reject this, but rejecting it would be LESS HONEST.

this is just who i am. i LIKE pop culture. i LIKE joy. i LIKE dressing in all pink and wearing my custom suits. I LIKE PROVING LOVE IS REAL WHAT THE HECK ELSE EVEN IS THERE? i love being a queer outsider artist and using my small voice to shout at the big bad devils and i like that every time i shout a few more of you buckaroos join the chorus and together we are just getting louder and louder and louder and WHO KNOWS what comes next for us all trotting together.

when i post something like 'WHAT A GREAT DAY TO PROVE LOVE' it is not me sitting here in a bad mood thinkin 'well i gotta make todays post to keep up with my brand'. i am ACTUALLY FEELING THAT FEELING and i actually believe it with every fiber of my being. honestly, half the time i post about the beauty of this timeline i am probably over here literally crying tears of joy (chuck is an emotional bud i get riled over the joy of existence A LOT)

and heres the best part of this trot: because i really have this punk rock way it makes me very powerful. others can pretend not to care about success and brand and all that but I REALLY DO NO CARE. i would write tinglers whether buds were reading them or not, this is just my natural state, and that makes me incredibly strong. if some big corporation says 'YOU MUST DO THIS' and i dont want to do it i just say 'no thanks'. it is not some big debate about my career or anything like that because I REALLY DO NOT CARE IN THE SLIGHTEST. i care about the art

because of this, my relationship with my GIANT TRADITIONAL PUBLISHING MACHINE is great. we trot like equals and we get along really well. i tell them exactly what i want to do and they let me do it. i really do not have to answer to anyone and they deserve a huge amount of credit for respecting me in this way.

and heres the thing, THEY ALSO HAVE SOME GREAT IDEAS

SPECIFICALLY my imprint of NIGHTFIRE is very dang cool. yes, they are the head of a giant hydra of a BIG FIVE PUBLISHER, but nightfire is SO DANG ART-FOCUSED

there is no right or wrong way to be an artist, and my path is not the only one, but i can tell you what WORKS FOR ME. this is the advice i would give myself, and buckaroos can take it or leave it

here it is: never beg the big book publisher, or record label, or movie studio to pay attention to you

do not let it become a lotto ticket in your brain. do not think that you are some weak little creature and maybe if you trot just right they will scoop you up and take care of you. do not go to their door begging to be let in

LET THEM COME TO YOUR DOOR

create something so incredible and beautiful and honest and powerful and unique and important that they would be foolish to miss out. create a community or a system or a timeline or a world of imagination that thrives on its own and THEY SHOULD BE SO LUCKY TO BE A PART OF IT

then when you sit down at that board meeting it is not 'please brand me, ill do whatever you want'. instead, it is 'lets make a deal and see how much love we can prove together.'

now lets trot buckaroos

[ask-the-rag-dolly]

after listening to an among us song i was given the drive to reboot this au so ,

originated from a doodle that spiraled , SPREAD THE INFLUENCE is an au where ragatha is the ( unwilling ) host of a parasite called ' the influence ' which is a virus that only wants to spread and survive . she wasn't compliant about it at the beginning which was ' fixed ' with an itty bitty bit of psychological torment !

also yes i know the abbreviation is unfortunate and i do not care it's funny

even though ragatha's still our usual sweet little optimist , there is this persistent feeling of wrongness . too positive . too affectionate . it's like all of her humanity has been scooped out and you're left with the mask she made for others in the circus .

which is how the virus spread in the circus - they preyed on vulnerabilities which was what their host is perfect for . striking when the victim puts their guards down , making them submit under the guise that their problems will be fixed ... unfortunately it's a monkey's paw situation .

of course , that's only for this particular instance of the influencer ! something to note is that the virus takes a lot from the host's personality , so t.i's mellow and passive , only resorting to violence whenever necessary . t.i's not really an opposite ragatha she's more like a Dark , Fucked Up Version of ragatha the amazing digital circus . she cares a lot for everyone she considers a part of her hive , but it took a lot of manipulation and gaslighting for them to get infected .

caine is left uninfected because " i would do that if my goal is to destroy this place ! " t.i's ultimate fear has always been dying . it'll do everything to not die , to the point it's trying to spread out of the circus ( <- honestly take this info with a grain of salt i wrote this before i fully developed the story ) . unfortunately there's this jester who's resisting the virus with pure lesbian rage and is trying to stop her .

now rags would eventually get de-influenced and the circus will no longer be infected , but we will talk about the extremely rocky journey of recovering from knowing you harmed everyone you cared about Later

was this ' the influence ' that amanda ( ragatha's va ) keeps referencing ? sighs ... yeah . ( feels so surreal that i can say i have their seal of approval for this )

why ragatha ? in story , how is she not the perfect host ? metatextually , this is an au of an au - this came from a blog about ragatha getting a virus that is inconveniencing her life . i simply thought of an idea of ' hey what if the virus took over her body ' one day . then this abomination was born . i would reveal the why and how she got infected ... eventually .........

is she still afraid of centipedes ? is it a ragatha if she doesn't have a fear of centipedes

does pomni still use a taser ? yeah

could i use / be inspired by the influence for my au ? i did not invent the concept of Computer Viruses so feel free to be inspired by it , no credit needed . for t.i as a character specifically , please credit me !

are there ships ? just pomni x ragatha

is suggestive content of t.i ok ? just don't send them to me , tag it as #tw suggestive or #suggestive so i could filter it out

is nsfw content of t.i ok ? my tiny artist hands are powerless against the unstoppable force that is the internet so my answer will not matter . that being said , i recommend that they're not put in the main au tag so people won't unexpectedly come across it . and no i do not want to see it please do not send them to me

could i draw fanart / write fanfic of this au ? 100% yes you could either mention me or tag it under #tadc influence au

does this au have an ask blog ? nah just a normal blog lol

READ THE COMIC ... I GUESS ... !!

the main story

oh boy a prologue

[autisticrosewilson]

It's been bugging me for a while that we have so many canonically queer characters now but none of them ever DO anything! It's like after they get two characters in a queer relationship they just never give them any conflict after. We didn't ask for more representation because we wanted that character to no longer have interesting stories outside of a queer identity we wanted you to stop queer baiting us.

I know that word gets tossed around a lot, but there is very strong evidence for TimKon, StephCass, and GhostBat where they practically confirm it but they never say anything explicitly. Supersons were literally shown to live together, co-parent Lizzie, and were explicitly paralleling other canon couples last week.

But it's too much for Kon AND Tim to be queer, so they gave Tim a civilian boyfriend that he never has any conflict with and all of the build up and tension that comes with trying to clone your dead teammate 99 times and being a hair away from making out for like 8 years.

Robin AND Super boy couldn't be canonically queer so they aged Jon up and then gave him a civilian boyfriend he never has any conflict with all while parading them around in elseworlds because they knew fans were upset about the lost potential.

Even Harley and Ivy fall victim to this in a different way. I love that they're canonically queer! I just wish that at least Ivy got to keep some of her villainy. I don't think they should have to compromise being menaces to society with being queer.

And it's related but I hesitate to call it queer baiting... what's going on with Dick Grayson. He gets confirmed bi in a non canon video game but he has more pride covers than Tim. Like you can't dangle an extremely queer coded character in front of us and then just never make it canon. And I'm tired of one off implications too. We deserve better representation than a one liner played off for a joke (Batstantine this is about you I fear) but they won't because they know full well they won't do a damn thing with him after.

You wanna know what we should be striving for? Midnighter and Apollo. Messy their whole run time, uncompromisingly interesting whether they're together or not, happily married with a daughter, and yet continued to be unerringly bad ass. John Constantine, with all of his shameless flirting and raunchiness. Grace Choi and Anissa Pierce. The pining, the break ups, the make ups. Obsessed with them.

Joey Wilson!!! You want someone whose already canonically queer who Dick has a lot of tension with? He's right there! The son of Dick's arch Nemesis. Both of their willingness to go over people's heads to protect them. Joey's ability to completely take someone's free will (and his deliberate and spiteful choice not to) vs. Dick's constant fight for independence (and his willing surrender to the pull of his family). Dick's unwillingness to communicate his feelings or experiences with literally anyone ever paired with Joey's uncanny ability to read him like a book. Are you joking. The mess, the tension, the INTRIGUE!!

This got away from me but I want my queer characters to be interesting again pretty please.

[theoi-crow]

The humans in Greek Mythology are the mega rich and powerful:

In my college classes people are often shocked when I tell them my favorite part of Greek mythology is the gods themselves and I'm not a big fan of the humans.

99% of my classmates prefer the humans in mythos, especially the ones that stick it to the gods like Sisyphus and feel bad for humans like Kassandra and Helen who have been wronged by the gods because "they're just like us." My classmates and teachers hate the gods and don't understand why anyone in modern times would want to worship such violent and selfish beings whenever I point out there are still people who worship them. They hold onto the idea that people in mythology embody the human experience of being oppressed by terrible gods and fate and we should feel bad for them because "they're human just like us" but they forget that the people in Greek Mythology are NOT just like us. They are more relatable to medieval royalty, colonizers and ultra rich politicians who make laws and decisions on wars and the fates of others, especially the poor and the very vulnerable.

Every hero or important human in Greek Mythology is either some form of royalty or mega rich politician/priest-priestess (of course this is with the exception of people who are explicitly stated to be poor like the old married couple in the myth where Zeus and Hermes pretend to be panhandlers). All of them have an ancient Greek lifestyle more relatable to Vladimir Putin, Donald Trump, and especially to British royalty during the British empire, than the average person.

All of them.

Odysseus, Patroclus, Theseus, Helen of Troy, Kassandra, Diomedes, Agamemnon, Perseus, Hercules, Aeneas, Paris, Any human who has a divine parent or is related to one, etc. Although sometimes the story omits it, it is heavily implied that these are people who own hundreds or even thousands of slaves, very poor farmers and the tiny barely there working class as royal subjects.

They are the ones who make laws and whose decisions massively affect the fates of so many people. So no, they can't just be forgiven for some little whim, because that little whim affects the literal lives of everyone under their rule. By being spoiled they've just risked the lives of thousands of people and possibly even gotten them killed like when Odysseus' audacity got every single slave and soldier in his ships killed or when Patroclus as a kid got upset and killed another kid for beating him at a game. (A normal person wouldn't kill another person just for winning a game but royalty and those who think they're above the law do it all the time, plus the class status of the child wasn't mentioned but the way he didn't think he'd get in trouble implies the kid was of lower class, possibly the child of a slave or a foreign merchant.)

The gods get a bad reputation for punishing the humans in mythology but, if not them, who else is going to keep them accountable when they are the law?

And whose to say the humans beneath them weren't praying to the gods in order to keep their masters in check?

Apollo is the god in charge of freeing slaves, Zeus is the god of refugees, immigrants and homeless people, Ares is the protector of women, Artemis protects children, Aphrodite is the goddess of the LGBT community, Hephaestus takes care of the disabled, etc. It wouldn't be surprising if the gods are punishing the ultra rich and powerful in these myths because the humans under their rulership prayed and sent them as they did historically.

Every time someone asks me if I feel bad for a human character in a myth, I think about the many lives affected by the decision that one human character made and if I'm being completely honest, I too would pray to the gods and ask them to please punish them so they can make more careful decisions in the future because:

They are not just like us.

We are the farmers, a lot of our ancestors were slaves, we are the vulnerable being eaten by capitalism and destroyed by the violence colonialism created. We are the poor subjects that can only pray and hope the gods will come and correct whatever selfish behavior the royal house and mega rich politicians are doing above us.

And that's why I pray to the gods, because in modern times I'm dealing with modern Agamemnons who would kill whatever family members they have to in order to reach their end goal, I'm dealing with everyday modern Achilles who would rather see their own side die because they couldn't keep their favorite toy and would gladly watch their subjects die if it means they eventually get their way. The ones that let capitalism eat their country and it's citizens alive so long as it makes them more money. These are our modern "demigods," politicians who swear they are so close to God that they know what he wants and so they pass laws that benefit only them and claim these laws are ordained by God due to their close connection just like how Achilles can speak to the gods because of his demigod status via his mother.

Look at the news, these are humans that would be mythical characters getting punished by Greek gods which is why anything Greco-Roman is jealousy guarded by the rich and powerful and is inaccessible to modern worshippers because Ivy League schools like Harvard and Cambridge make sure to keep it that way. That's what we're dealing with. These are the humans these mythical beings would be because:

In our modern times the humans in mythos would be the politicians and mega rich that are currently ruining our society and trying to turn it into a world where only the rich can manipulate wars and laws, just like they do in mythology.

Fuck them.

I literally have so much more to add about my disdain for them and I didn't even touch on the obvious ancient Greek propaganda.

[power-handmaiden]

Day 302: Eaten Right By The Physical Manifestation Of My Pride And Excitement That The Lead Character Of My First Traditionally Published Horror Novel Is On The Autism Spectrum Just Like Me

First off, this is another tingler I can link you to! I wouldn't call it a "free" tingler like some others because Dr. Tingle is asking for a donation to the Autistic Self Advocacy Network on this one. (They're a great organization that does great work, you should follow the donation link if you're able!)

I want to first mention something Dr. Tingle says in his notes on this one, not something in the tingler itself: "most of the characters i write are probably a little on the spectrum because they are comin from inside chucks head."  So... having read almost every tingler up to the beginning of 2023 now, this is something I've thought about a lot but only remarked upon a couple times. It's something that becomes even clearer to me when we get an explicitly autistic tingler protagonist because, in the context of tinglers, she fits right in. She's a very normal protagonist. That isn't the vibe of  most autistic characters in most media, but in the Tingleverse, she's your regular relatable main character. Simply seeing how much she fits in reminds me just how neurodivergent the beautiful Tingleverse is.

(Maybe a neurotypical reader would find other tingler characters' autistic traits easier to see on their own, not by comparison like this, and also worth mentioning more often? I don't know. I don't know if there are even any neurotypical people out there reading this many tinglers. Don't ask me, I'm the guy who delights in updating their tingler spreadsheet.)

Anyway, it really complements the message of this tingler, the way the protagonist feels so right as a part of the Tingleverse. It's natural that she feels proud, despite all the anxieties she has over the publication of her novel. I'm glad Dr. Tingle captured this joyous moment, in this story that also makes readers who relate feel like we're taking part in the celebration, too.

[dunmeshistash]

Hello!

I'm Cyan (or anything you wanna call me) this blog started as just a stash for Dungeon Meshi extras and worldbuilding details but expanded as people asked questions and I did my best to answer! Hope you find it as useful as I do. I try my best to categorize my posts so they're easy to find but sometimes I forget.

If you'd like to share something you compiled yourself feel free to send it to me and I'll reblog it! You can also send a submission if you'd prefer. The main goal is to share Dungeon Meshi information :3

Consider checking the FAQ before sending an ask!

FAQ

Spoilers are tagged as "Dungeon Meshi Spoilers"

Please support the author by purchasing the manga if available in your region.

TERFs and other bigots aren't welcome

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Ryoko Kui's Blog

Tag list under the cut

Types of post

For referencing - Canon things and other information you might want to go back to. Now I'm also using art reference when relevant

Compilation - Posts where I compile lots of canon art/sketches about a specific subject.

Dunmeshi thoughts - My own non canon thoughts. I also use the tag speculation when relevant

Dunmeshi complaint - Tag for more negative subjects/discourse in case you wanna block that. I usually go back and delete the ones that don't seem productive

Asks - Since I post quite a lot of asks I decided to divide them into some tags so they're easier to filter: Lore ask | Character ask | Meta ask | About Cyan

Parties

Laio's Party: Laios Touden | Marcille Donato | Chilchuck Tims | Senshi of Izganda | Izutsumi | Falin Touden

Kabru's Party: Kabru of Utaya, Diamond of Sadena, Mickbell Tomas, Kuro, Rinsha Fana, Holm Kranom

Tansu's Party: Tansu Floke, Yarn Floke, Kiki Floke, Kaka Floke, Namari of Kahka Brud

Shuro's Party: Shuro (Toshiro Nakamoto), Hien, Benichidori, Maizuro, Inutade

Canaries: Mithrun, Pattadol, Lycion, Fleki, Otta, Cithis

Races:

Tallman

Dwarf

Elf

Gnome

Half-Foot

Ogre

Demi humans

Orc

Kobold

Sources (<- check this if you're confused where the extras come from):

Adventurers Bible

Daydream Hour

Monster Tidbits

Bluray

Other tags:

Worldbuilding

Maps

Magic System

Post Canon (Extras about the story after the story)

Clothing (Details about character's clothes and in world fashion)

Dunmeshi Extra (extra comics that aren't in the main story)

Rooms

Modern Clothing

Dunmeshi anime vs manga (comparisons or panels missing from the anime)

Monsters:

Red Dragon

Chimera Falin

Mermaid

I'll be updating as I add posts/figure out how to tag stuff

About me: Cyan - Adult - She/He - Brazilian